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Myung-Whun Chung DG Recordings 1991-2010 (33CD)
정명훈 DG Recordings 1991-2010Myung-Whun Chung
Price: US$249.98
Availability: Within 1~2 DaysProduct Information
| Genre: | Classical |
| Release Date: | Jul 22, 2011 |
| Publisher: | Universal |
| Product Made In: | South Korea |
| Case: | Deluxe Case |
Product Details
This product contains:
- Deluxe Luxury Box Set
- 29 LP Miniature Original Cover
- 32CD (29 Album + 1 Bonus CD)
- 200 Pages Booklet
:: CD 1 :: 431 7812
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
TURANGALÎLA-SYMPHONIE 투랑갈릴라 교향곡
1 Ⅰ. Introduction (서주) [6΄25]
Modéré, un peu vif
2 Ⅱ. Chant d’amour 1 (사랑의 노래 1) [8’14]
Modéré, lourd
3 Ⅲ. Turangalîla 1 (투랑갈릴라 1) [5’26]
Presque lent, rêveur
4 Ⅳ. Chant d’amour 2 (사랑의 노래 2) [11’03]
Bien modéré
5 Ⅴ. Joie du sang des étoiles (별들의 피의 기쁨) [6’42]
Vif, passionné, avec joie
6 Ⅵ. Jardin du sommeil d’amour (사랑의 잠의 정원) [12’39]
Très modéré, très tendre
7 Ⅶ. Turangalîla 2 (투랑갈릴라 2) [4’11]
Un peu vif –Bien modéré
8 Ⅷ. Développement de l’amour (사랑의 전개) [11’41]
Bien modéré
9 Ⅸ. Turangalîla 3 (투랑갈릴라 3) [4’27]
Bien modéré
10 Ⅹ. Final (피날레) [7’44]
Modéré, presque vif, avec une grande joie
Yvonne Loriod 이본 로리오, piano
Jeanne Loriod 잔 로리오, ondes martenot
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1991 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Paris-Bastille, 10/1990
Production Coordination: Dr.Peter Czornyj
Recording Producer: Lennart Dehn
Balance Engineer: Michael Bergek
Total Timing: 78’32
:: CD 2 :: 431 7782
GEORGES BIZET (1838-1875) 조르주 비제
CARMEN SUITE 카르멘 모음곡
1 1. Les Toréadors (투우사의 노래) [2’04]
2 2. Prélude (전주곡) [1’24]
3 3. Aragonaise (아라곤의 노래) [2’16]
4 4. La Garde Montante (수비 임무를 하러가며) [3’35]
5 5. Intermezzo (간주곡) [2’47]
6 6. Séguedille (세비야의 성벽 부근) [2’04]
7 7. Les Dragons d’alcala (알칼라의 기병) [1’44]
8 8. Danse Bohème (보헤미아 무곡) [3’56]
PETITE SUITE D’ORCHESTRE 관현악을 위한 작은 모음곡
9 1. Marche. Trompette et Tambour (병정놀이: 트럼펫과 드럼) [2’24]
trumpet and drum
10 2. Berceuse. La Poupée (인형: 자장가) [2’38]
the doll
11 3. Impromptu. La Toupie (팽이돌리기: 환상곡) [1’04]
the top
12 4. Duo. Petit Mari, Petite Femme (이중창: 어린 신랑, 어린 신부) [3’30]
little husband, little wife
13 5. Galop. Le Bal (무도회: 갤럽) [1’45]
the ball
L’ARLÉSIENNE: SUITE NO.1 아를의 여인 모음곡 1번
14 1. Prélude (전주곡) [7’10]
15 2. Minuetto (미뉴에트) [3’07]
16 3. Adagietto (아다지오) [3’31]
17 4. Carillon (합종) [4’14]
L’ARLÉSIENNE: SUITE NO.2 아를의 여인 모음곡 2번
18 1. Pastorale (목가) [6’07]
19 2. Intermezzo (간주곡) [4’44]
20 3. Menuet (미뉴에트) [4’33]
21 4. Farandole (화랑돌) [3’24]
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1991 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Bastille, 3/1991
Executive Producer: Dr. Peter Czornyj
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer) & Editing: Michael Bergek
Total Timing: 68’37
:: CD 3 :: 435 8542
CAMILLE SAINT-SAËNS (1835-1921) 카미유 생상스
SYMPHONY NO 3. IN C MINOR, OP. 78 ‘ORGAN’ 교향곡 3번 C단조 op.78 ‘오르간’
1 Ⅰ. Adagio - Allegro moderato - [10’26]
2 Poco adagio - [10’39]
3 Ⅱ. Allegro moderato - Presto - Allegro moderato - [7’24]
4 Maestoso - Allegro [7’56]
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
L’ ASCENSION 그리스도의 승천
5 Ⅰ. Majesté du Christ demandant sa gloire à son Père Très lent et majestueux
(스스로의 영광을 아버시이신 신에게 구하는 그리스도의 위엄) [8’17]
6 Ⅱ. Alléluias sereins d’une âme qui désire le ciel Bien modéré, clair
(천국을 희구하는 영혼의 고요한 알렐루야) [6’06]
7 Ⅲ. Alléluia sur la trompette, alléluia sur la cymbale Vif et joyeux
(자신이 되신 그리스도의 영광에 의한 영혼의 기쁨에의 변이) [5’32]
8 Ⅳ. Prière du Christ montant vers son Père Extrêmement lent, ému et solennel
(아버지께 드리는 그리스도의 기도) [12’22]
Michael Matthes 미셸 마트, orgue
Orchestre de l’ Opéra Bastille
Myung-Whun Chung
ⓟ 1993 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Bastille, Salle R 1, 10/1991
Production Coordination: Dr. Peter Czornyj
Recording Producer: Lennart Dehn
Balance Engineer: Wolfgang Mitlehner
Editing: Friedrich Wilhelm Rödding
Total Timing: 68’52
:: CD 4 :: 437 8182
NIKOLAI RIMSKY KORSAKOV (1844-1908) 니콜라이 림스키 코르사코프
SCHEHERAZADE OP.35 셰에라자드 op.35
1 1. Largo e maestoso - Lento - Allegro non troppo - Tranquillo [9’12]
2 2. Lento Andantino - Allegro molto - Vivace Scherzando - Moderato assai - Allegro molto ed animato [11’05]
3 3. Andantino quasi allegretto [9’44]
4 4. Allegro molto - Lento - Vivo - Allegro non troppo e maestoso - Lento Tempo come I [11’32]
IGOR STRAVINSKY (1882-1971) 이고르 스트라빈스키
L’ OISEAU DE FEU 불새(1919)
5 Introduction (서곡) [3’14]
6 L’Oiseau de feu et sa danse (불새와 춤) [0’17]
7 Variation de I’Oiseau de feu (불새 변주곡) [1’16]
8 Ronde des princesses (공주들의 론도) [4’42]
9 Danse infernale du roi Kachtcheï (마왕 카스체이의 흉악한 춤) [4’24]
10 Berceuse (불새의 자장가) [3’47]
11 Final (피날레) [3’12]
Frédéric Laroque 프레데리크 라로크, violin
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1993 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Paris-Bastille, 9/1992
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineer: Hans-Rudolf Müller
Total Timing: 62’36
:: CD 5 :: 439 8702
SERGE PROKOFIEV (1891–1953) 세르게이 프로코피예프
ROMEO AND JULIET 로미오와 줄리엣
Excerpts from Suites No. 1 (op. 64a), No. 2 (op. 64b) and No. 3 (op. 101)
1 The Montagues and the Capulets (op. 64b:1) (몬테규가와 케퓰렛가) [5’31]
2 Juliet the young girl (op. 64b:2) (어린 줄리엣) [3’52]
3 Folk dance (op. 64a:1) (포크 댄스) [4’16]
4 Scene (op. 64a:2) (장면) [1’31]
5 Madrigal (op. 64a:3) (달콤한 말) [3’35]
6 Minuet (op. 64a:4) (미뉴에트) [3’04]
7 Masks (op. 64a:5) (가면) [1’55]
8 Romeo and Juliet (op. 64a:6) (로미오와 줄리엣) [7’41]
9 Tybalt’s death (op. 64a:7) (티볼트의 죽음) [4’35]
10 Friar Laurence (op. 64b:3) (로렌스 신부) [2’40]
11 Dance (op. 64b:4) (춤곡) [1’57]
12 Romeo and Juliet before parting (op. 64b:5) (이별직전의 로미오와 줄리엣) [9’14]
13 Dance of the girls from the Antilles (the girls with lilies) (op. 64b:6) (백합을 든 소녀들의 춤) [2’12]
14 Romeo at Juliet’s tomb (op. 64b:7) (줄리엣의 독약을 먹은 로미오) [7’01]
15 Death of Juliet (op. 101:6) (줄리엣의 죽음) [4’18]
Royal Concertgebouw Orchestra
Myung-Whun Chung
ⓟ 1994 Deutsche Grammophon GmbH, Hamburg [62’36]
Recording: Amsterdam, Het Conertgebouw, 1&2/1993
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineer &Editing: Reinhard Lagemann
Total Timing: 63’22
:: CD 6 :: 445 8782
HENRI DUTILLEUX (*1916) 앙리 뒤티외
MÉTABOLES 메타볼
1 Ⅰ. Incantatoire [3’16]
2 Ⅱ. Linéaire [3’30]
3 Ⅲ. Obsessionnel [2’59]
4 Ⅳ. Torpide [2’44]
5 Ⅴ. Flamboyant [3’59]
HECTOR BERLIOZ (1803-1869) 엑토르 베를리오즈
SYMPHONIE FANTASTIQUE OP. 14 환상교향곡 op.14
6 Ⅰ. Rêveries-Passions [14’49]
7 Ⅱ. Un bal [6’10]
8 Ⅲ. Scène aux champs [15’24]
9 Ⅳ. Marche au supplice [4’31]
10 Ⅴ. Songe d’ une nuit du sabbat [9’39]
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1995 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra Bastille, Salle Gounod, 10/1993
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Helmut Burk
Recording Engineer : Hans - Rudolf Müller
Total Timing: 67’07
:: CD 7 :: 439 9292
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
ÉCLAIRS SUR I’AU-DELÀ... 피안의 빛
1 Ⅰ. Apparition du Christ glorieux (영광스런 그리스도의 현현) [6’54]
2 Ⅱ. La Constellation du Sagittaire (사수자리) [6’19]
3 Ⅲ. L’Oiseau-lyre et la Ville-fiancée (금조와 신부의 도시) [4’01]
4 Ⅳ. Les Élus marqués du sceau (선택의 징표) [2’20]
5 Ⅴ. Demeurer dans I’Amour... (사랑 안에 머무름) [10’20]
6 Ⅵ. Les Sept Anges aux sept trompettes (일곱 나팔을 가진 일곱 천사) [5’48]
7 Ⅶ. Et Dieu essuiera toute larme de leurs yeux... (그리고 신은 그들의 모든 눈물을 닦으리라) [3’19]
8 Ⅷ. Les Étoiles et la Gloire (별들의 영광) [11’25]
9 Ⅸ. Plusieurs Oiseaux des arbres de Vie (생명나무 위의 여러 새들) [2’48]
10 Ⅹ. Le Chemin de I’Invisible (보이지 않는 세계의 길) [3’36]
11 ⅩⅠ. Le Christ, lumière du Paradis (그리스도, 천국의 빛) [8’06]
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1994 Deutsche Grammophon GmbH, Hamburg [64’56]
Recording: Paris, Opera Bastille, Salle Gounod
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Helmut Burk
Recording Engineers : Hans - Rudolf Muller, Olivier Rogalla
Total Timing: 64’56
:: CD 8 :: 447 1022
HECTOR BERLIOZ(1803-1869) 엑토르 베를리오즈
1 OUVERTURE DE (오페라 벤베누토첼리니 서곡) [9’54]
2 LE CARNAVAL ROMAIN OP.9 OUVERTURE (로마의 사육제 서곡) [8’01]
3 LE CORSAIRE OP.21 OUVERTURE (해적선 서곡) [8’41]
HAROLD EN ITALIE OP.16 이탈리아의 해럴드
4 Ⅰ. Harold aux montagnes, Scènes de Mélancolie, de Bonheur et de joie [14’50]
(산에 있어서의 해럴드. 우수(憂愁)와 행복과 환희의 정경)
5 Ⅱ. Marche de pèlerins chantant la prière du soir (저녁기도를 부르는 순례자의 행진) [7’36]
6 Ⅲ. Sérénade d’un montagnard des Abruzzes à sa maîtresse [6’40]
(아부루치란 사람이 그 애인에게 보내는 세레나데 2개의 주제)
7 Ⅳ. Orgie de brigands. Souvenir des scènes précédènts (산적들의 잔치. 전경의 추상) [12’37]
Laurent Verney 로랑 베르네, viola
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1996 Deutsche Grammophon GmbH, Hamburg [64’56]
Recordings: Paris, Opera Bastille, Salle Gounod, 11/1993 (Benvenuto,
La Carnaval) & 6/1994 (Harold, Le Corsaire)
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineers: Jobst Eberhardt, Hans–Rudolf Muller (Benvenuto,
Le Carnaval)
Total Timing: 68’42
:: CD 9 :: 445 9472
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
CONCERT À QUATRE 4중주를 위한 협주곡 (1990-1991)
1 1. Entrée [6’32]
2 2. Vocalise [4’23]
3 3. Cadenze [4’53]
4 4. Rondeau [10’23]
5 LES OFFRANDES OUBLIÉES (1930) 잊혀진 제물 [10’37]
6 UN SOURIRE (1989) 미소 [12’28]
7 LE TOMBEAU RESPLENDISSANT (1931) 빛나는 무덤 [15’25]
Catherine Cantin 케서린 칸틴, flute (1-4)
Heinz Holliger 하인츠 홀리거, oboe (1-4)
Yvonne Loriod 이본 로리오, piano (1-4)
Mstislav Rostropovich 므스티슬라프 로스트로포비치, violincello (1-4)
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1995 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opera Bastille, Salle Gounod, 9/1994
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Gernot von Schultzendorff
Recording Engineers: Wolf-Dieter Karwatky, Jobst Eberhardt,
Hans-Rudolf Muller
Total Timing: 64’51
:: CD 10 :: 447 7592
DMITRI SHOSTAKOVICH (1906-1975) 드미트리 쇼스타코비치
SYMPHONY NO.4 IN C MINOR, OP. 43 교향곡 4번 C단조, op.43
1 Ⅰ. Allegro poco moderato [15’14]
2 Presto [11’50]
3 Ⅱ. Moderato con moto [8’08]
4 Ⅲ. Largo [6’39]
5 Allegro [18’42]
Philadelphia Orchestra
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Philadelphia, Memorial Hall, 11/1994
Executive Producer: Roger Wright
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Andrew Wedman
Recording Engineers: Wolf-Dieter Karwatky, Jürgen Bulgrin
Total Timing: 60’33
:: CD 11 :: 449 2072
ANTONÍN DVOŘÁK (1841-1904) 안토닌 드보르자크
SYMPHONY NO. 3 IN E FLAT MAJOR, OP. 10 교향곡 3번 Eb장조, op.10
1 Ⅰ. Allegro moderato [10’27]
2 Ⅱ. Adagio molto, tempo di Marcia [15’31]
3 Ⅲ. Finale: Allegro vivace [7’47]
SYMPHONY NO. 7 IN D MINOR, OP. 70 교향곡 7번 D단조, op.70
4 Ⅰ. Allegro maestoso [11’05]
5 Ⅱ. Poco adagio [10’00]
6 Ⅲ. Scherzo: Vivace - Poco meno mosso [7’02]
7 Ⅳ. Finale: Allegro [8’56]
Wiener Philharmoniker
Myung-Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recording: Wien, Musikverein, Grosser Saal, 2/1995
Executive Producer: John Fisher, Ewald Markl
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Gernot von Schultzendorff
Recording Engineer: Jürgen Bulgrin
Total Timing: 70’58
:: CD 12 :: 453 5002 (2 CD)
HECTOR BERLIOZ (1803-1869) 엑토르 베를리오즈
LA DAMNATION DE FAUST, OP. 24 파우스트의 겁벌, op.24
CD1 :
Part 1
Scène 1
Plaines de Hongrie. Introduction (헝가리의 평원)
1 Le vieil hiver a fait place au printemps [5’53]
Scène 2
Ronde de paysans (농부들의 합창)
2 Les bergers laissent leurs troupeaux [3’17]
Scène 3
Une autre partie de la plaine (평원의 다른 곳에서)
3 Mais d’un éclat guerrier les campagnes se parent [0’53]
4 Marche hongroise [4’34]
Part 2
Scène 4
Nord de L’Allemagne (독일 북부)
5 Sans regrets j’ai quitté les riantes campagnes
Chant de la fête de Pâques (부활절의 노래) [5’30]
6 Christ vient de ressusciter! [5’51]
7 Hélas! Doux chants du ciel [1’09]
Scène 5
8 ô pure émotion! [2’10]
Scène 6
La cave d’Auerbach à Leipzig (라이프치히의 아우에르바흐 주점)
9 A boire encor! [2’33]
10 Certain rat, dans une cuisine [2’04]
Fugue sur le thème de la chanson de Brander (브란데의 노래)
11 Amen [1’25]
12 Vrai Dieu, messieurs [1’07]
Chanson de Méphistophélès (메피스토펠레스의 아리아)
13 Une puce gentile chez un prince logeait [1’23]
14 Assez! Fuyons ces lieux où la parole est vile [2’08]
Scène 7
Air de Mephistopheles (엘베 강가의 숲과 목장-메피스토펠레스의 아리아)
15 Voici des roses [2’29]
Songe de Faust - Choeur de gnomes et de sylphs (땅의 요정들과 공기의 요정들의 합창-파우스트의 꿈)
16 Dors! Heureux Faust! [6’16]
17 Ballet des sylphs [2’21]
18 Margarita! Qu’ai-je vu? [1’08]
Scène 8 : Finale
Choeur de soldats et chanson d’étudiants (학생과 병사들의 합창)
19 Villes entourées de murs et ramparts [1’21]
20 Jam nox stellata velamina pandit [1’00]
21 Villes entourées/Jam nox stellata [2’06]
CD2
Part 3
1 Tambours et trompettes sonant la retraite [0’56]
Scène 9
Air de Faust (파우스트의 아리아)
2 Merci, doux crépuscule! [5’01]
Scène 10
3 Je l’entends! [1’01]
Scène 11
4 Que l’air est étouffant! [2’56]
5 Autrefois un roi de Thule [5’23]
Scène 12
Evocation (초혼 招魂)
6 Esprits des flammes inconstantes [1’47]
7 Menuet des follets [5’32]
‘‘Maintenant, chantons à cette belle une chanson morale’’
Sérénade de Méphistophélès avec choeur de follets (메피스토펠레스의 세레나데)
8 Devant la maison [1’58]
Scène 13
Duo (사랑의 이중창-마르그리트, 파우스트)
9 Grand Dieu! Que vois-je? [0’51]
10 Ange adoré [4’30]
Scène 14
Trio et Choeur (3중창과 합창-마르그리트, 파우스트, 메피스토펠레스, 합창)
11 Allons, il est trop tard! [2’42]
12 Je connais donc enfin tout le prix de la vie [1’51]
Scène 15
Romance (마르그리트의 로망스)
13 D’amour l’ardente flamme [8’14]
14 Au son des trompettes [2’09]
Scène 16
Invocation à la Nature (자연을 향한 기도)
15 Nature immense, impénétrable et fière [5’43]
Scène 17
Récitatif et Chasse (레치타티보와 사냥)
16 A la voûte azurée [3’24]
Scène 18
La Course a l’abîme (지옥으로의 말달리기)
17 Dans mon Coeur retentit sa voix désespérée [3’19]
Scène 19
Pandaemonium (Choeur en langue infernale) (판데모니움)
18 Ha! Irimirukarabrao! [1’47]
19 Tradioun marexil firtrudinxé burrudixé [2’03]
EPILOGUE (에필로그)
Scène 20
Sur la Terre (지상에서)
20 Alors, l’Enfer se tut [1’14]
Dans le Ciel (천국에서)
21 Laus! Laus! Hosanna! Hosanna! [1’07]
Apothéose de Marguerite (마르그리트의 성화)
22 Remote au ciel, âme naïve [1’00]
23 Viens! les vierges divines [2’33]
Keith Lewis 키스 루이스, Faust
Bryn Terfel 브린 터펠, Mephistopheles
Anne Sofie Von Otter 안네 소피 본 오터, Marguerite
Victor Von Halem 빅터 본 하렘, Brander
David Nicklass 데이비드 니클라스, Voix celeste
Philharmonia Chorus
Chorus Masters: David Hill, Simon Halsey 데이비드 힐, 시몬 할세이
Eton College Boys’ Choir
Chorus Master: Ralph Allwood 랄프 알우드
Philharmonia Orchestra
Myung-Whun Chung
ⓟ 1998 Deutsche Grammophon GmbH, Hamburg
Recordings: Basingstoke, The Anvil Auditorium, 4&5/1995, 6/1996
Executive Producer: John Fisher
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineers: Jobst Eberhardt, Stephan Flock, Rainer Höpfner
Total Timing: 116’22
:: CD 13 :: 449 1782
GIOACCHINO ROSSINI (1792-1868) 조아키노 로시니
STABAT MATER 스타바트 마테르
1 Introduzione. “Stabat mater dolorosa” (어머니가 슬퍼하시며 서 계시네) [10’13]
2 Aria. “Cujus animam gementem” (그녀의 영혼은 탄식하네) [5’29]
3 Duetto. “Quis est homo” (울지않을 사람 누가 있으리) [6’30]
4 Aria. “Pro peccatis suae gentis” (아들 예수 우리 위해) [4’19]
5 Coro e Recitativo. “Eja, mater, fons amoris” (오, 어머니 사랑의 샘이여) [5’15]
6 Quartetto. “Sancta mater, istud agas” (성모여, 십자가에 못박히신 아드님의 상처를 마음에 깊이 새기소서) [6’35]
7 Cavatina. “Fac, ut portem Christi mortem” (나로 하여금 눕게 하소서) [4’29]
8 Aria e Coro. “Inflammatus et accensus” (불길에 타서 죽게 하지 마소서) [4’21]
9 Quartetto. “Quando corpus morietur” (내 육신이 쇠할지라도) [6’15]
10 Finale. “Amen. In sempiterna saecula” (아멘 성령께 영원토록) [5’57]
Luba Orgonasova, Cecilia Bartoli
루바 올고나소바, 체칠리아 바르톨리, soprano Ⅰ/Ⅱ
Raul Gimenez 라울 기메네즈, tenore
Roberto Scandiuzzi 로베르토 스칸디우치, basso
Konzertvereinigung Wiener Staatsopernchor
Dietrich Gerpheide 디트리히 게르페데, chorus master
Wiener Philharmoniker
Myung- Whun Chung
ⓟ 1996 Deutsche Grammophon GmbH, Hamburg
Recording: Wien, Musikverein, Grosser Saal, 6/1995
Executive Producers: John Fisher, Ewald Markl
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Andrew Wedman
Recording Engineers: Klaus Behrens, Reinhard Lagemann
Total Timing: 59’23
:: CD 14 :: 453 7132
LUDWIG VAN BEETHOVEN(1770-1827) 루트비히 반 베토벤
MUSIK ZU AUGUST VON KOTZEBUES FESTSPIEL
‘KÖNIG STEPHAN ODER UNGARNS ERSTER WOHLTÄTER’ OP. 117 (1811)
아우구스트 폰 코체부의 축제극 ‘슈테판 왕, 혹은 헝가리 최초의 은인’의 부수음악
Music to August von Kotzebue’s festival play “King Stephen or Hungary’s First Benefactor”
1 Ouvertüre [6’37]
2 No. 1 Chor: "Ruhend von seinen Taten" - "Seid mir gegrüßt an dieses Thrones Stufen" [4’19]
3 No. 2 Chor: "Auf dunkelm Irrweg in finstern Hainen" - " Fürst! Mich sandten die Edlen im Heere" [1’52]
4 No. 3 Siegesmarsch "Ihr tapfern Krieger, Ungarns Stolz und Zierde" [6’14]
5 No. 4 Chor: "Wo die Unschuld Blumen streute" [2’27]
6 No. 5 Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen" [1’00]
7 No. 6 Chor: "Eine neue strahlende Sonne" [0’30]
8 No. 7 Melodram:
"Ihr edlen Ungarn! Hört meine Stimme!" - "Empfanget sie aus eueres Fürsten Händen" [2’17]
9 No. 8 Geistlicher Marsch, Chor und Melodram: [10’03]
Marsch - "In der schönsten deiner Lebensstunden"
Chor: "Heil unserm Könige" - "Ich schmücke ehrfurchtsvoll mein Haupt"
10 No. 9 Schlußchor: "Heil! Heil unsern Enkeln!" [1’54]
DER GLORREICHE AUGENBLICK OP. 136 (1814)
KANTATE FÜR VIER SOLOSTIMMEN, CHOR UND ORCHESTER
‘영광의 순간’ 네 명의 독창자, 합창단 및 오케스트라를 위한 칸타타
“The Moment of Glory” Cantata for four solo voices, chorus and orchestra
11 Chor: Europa steht! [3’51]
12 Rezitativ: "O seht sie nah und näher treten!" [3’35]
Chor: "Vienna, Vienna, Vienna!
13 Rezitativ: "O Himmel, welch’ Entzücken!" [9’14]
Arie mit Chor: "Alle die Herrscher darf ich grüssen"
14 Rezitativ: "Das Auge schaut" [7’04]
Kavatine mit Chor: "Dem die erste Zähr"
15 Rezitativ: "Der den Bund im Sturme festgehalten" [6’18]
Quartett: "In meinen Mauern bauen sich neue Zeiten auf"
16 Chor: "Es treten vor die Scharen der Frauen" [3’50]
(1-10)Dietrich Fischer-Dieskau 디트리히 피셔 디스카우, King Stephen
Ulrike Jackwerth 울리케 야크베르트, Gisela
Helmut Rühl 헬무트 륄, Bayerischer Gesandter, Greis
Frank Thomas Mende 프랑크 토마스 멘데, Gyula
Boris Aliinovicz 보리스 아위노비츠, a warrior
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia
(11-16)Luba Orgonasova 루바 오르고나소바, Vienna
Iris Vermillion 이리스 페르밀리온, Seherin
Timothy Robinson 티모시 로빈슨, Genius
Franz Hawlata 프란츠 하블라타, Führer des Volkes
Coro di voci bianche dell’Arcum
Chorus Master: Paolo Lucci 파올로 루치
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorium di Via della Conciliazione & Berlin SFB,
Kleiner Sendesaal, 10/1996
Executive Producer: John Fisher
Recording Producer: Lennart Dehn
Balance Engineer: Lennart Dehn (1-10), Wolfgang Mitlehner(11-16)
Recording Engineer: Klaus Behrens, Hans - Rudolf Müller
Total Timing: 68’26
:: CD 15 :: 457 6872
JOHANNES BRAHMS (1833-1897) 요하네스 브람스
SYMPHONY NO1. IN C MINOR, OP. 68 교향곡 1번 C단조 op.68
1 Ⅰ. Un poco sostenuto - Allegro [14’41]
2 Ⅱ. Andante sostenuto [9’28]
3 Ⅲ. Un poco Allegretto e grazioso [4’35]
4 Ⅳ. Adagio - Pi Andante - Allegro non troppo, ma non brio [18’41]
5 HUNGARIAN DANCE NO.5 IN G MINOR [2’55]
(Orchestration: Martin Schmeling)
Allegro - Vivace
헝가리 무곡 5번 G단조
Asia Philharmonic Orchestra
Myung- Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recordings: Seoul , Seoul Arts Center, 1/1997
Recording Producer & Supervisor: Lennart Dehn
Balance Engineer: Michael Bergek
Mastering: Torbjörn Samuelsson
Total Timing: 50’20
:: CD 16 :: 457 3552
A HYMN FOR THE WORLD
ANTONIO VIVALDI (1678-1741) 안토니오 비발디
1 Gloria in excelsis Deo (from the Gloria RV 589) (하늘에 영광) [2’06]
2 Domine Deus, Rex caelestis (from the Gloria RV 589) (주님의 크신 영광에 감사하나이다) [4’18]
JOHANN SEBASTIAN BACH(1685-1750) 요한 세바스티안 바흐
3 Jesus bleibet meine Freude (Jesu, Joy of Man’s Desiring) [2’34]
(from the Cantata BWV 147) (예수, 인간 소망의 기쁨)
GEORGE FRIDERIC HANDEL (1685-1759) 게오르그 프리드리히 헨델
4 “Hallelujah” Chorus (from Messiah) (할렐루야) [3’17]
WOLFGANG AMADEUS MOZART (1756-1791) 볼프강 아마데우스 모차르트
5 Ave verum corpus K.618 (거룩하신 몸) [3’39]
6 Alleluia (from Exsultate, jubilate K.165/158a) (알렐루야) [2’33]
FRANZ LISZT (1811-1886) 프란츠 리스트
7 Ave verum corpus (거룩하신 몸) [4’45]
8 Qui seminant in lacrimis (Psalm 125) (눈물을 흘리며 씨를 거두는자) [2’58]
GIUSEPPE VERDI (1813-1901) 주세페 베르디
9 Sanctus (from the Requiem) (거룩하시도다) [2’32]
GIOACCHINO ROSSINI (1792-1868) 조아키노 로시니
10 Amen (from Stabat Mater) (아멘) [6’14]
CHARLES GOUNOD (1818-1893) 샤를 구노 (orch. Alberico Vitalini)
11 Marche Pontificale (교황의 행진) [2’38]
GEORGES BIZET (1838-1875) 조르주 비제 (arr. Ernest Guiraud)
12 Agnus Dei (하나님의 어린양) [5’26]
CÉSAR FRANCK (1822-1890) 세자르 프랑크
13 Panis angelicus (생명의 양식) [4’19]
GABRIEL FAURÉ (1845-1924) 가브리엘 포레
14 In Paradisum (from the Requiem op.48) (낙원에서) [3’26]
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
15 O sacrum convivium (오 거룩한 잔치여) [7’16]
16 RITE OF PEACE (Friedensgebet) (평화의 의식) [0’44]
Cecilia Bartoli 체칠리아 바르톨리, mezzo-soprano (2, 6, 13)
Andrea Bocelli 안드레아 보첼리, tenor (12)
Coro dell’ Accademia Nazionale di Santa Cecilia
Chorus master: Norbert Balatsch 노르베르트 발라치
Pope John Paul Ⅱ 교황 요한 바오로 2세 (16)
Augusto Loppi 아우구스토 로피, oboe (2)
Luigi Piovano 루이지 피오바노, cello (2, 13)
Cinzia Maurizio 친치아 마우리지오, harp (13)
Daniele Rossi 다니엘레 로시, organ (1-8 , 13-15)
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung –Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio di Via della Conciliazione, 5/1997 (2, 6,
13) & 6/1997
Executive Producer: Michael Fine, Karsten Witt
Recording Producer & Supervisor: Lennart Dehn (6/1997)
Tonmeister (Balance Engineer): Wolfgang Mitlehner (6/1997)
Recording Engineers: Wolf-Dieter Karwatky (5/1997), Jürgen Bulgrin
(6/1997)
Total Timing: 58’45
:: CD 17 :: 459 3652
IN PARADISUM
GABRIEL FAURÉ (1845-1924) 가브리엘 포레
REQUIEM, OP.48 레퀴엠, op.48
1 1. Introït et Kyrie (입당송과 자비송) [8’15]
2 2. Offertoire (봉헌송) [8’43]
3 3. Sanctus (거룩하시다) [2’58]
4 4. Pie Jesu (자비로운 예수) [3’42]
5 5. Agnus Dei (하나님의 어린양) [6’10]
6 6. Libera me (나를 구원하소서) [4’48]
7 7. In Paradisum (낙원에서) [3’22]
MAURICE DURUFLÉ (1902-1986) 모리스 뒤뤼플레
REQUIEM, OP.9 레퀴엠,op 9
8 1. Introït (입당송과 자비송) [3’25]
9 2. Kyrie (불쌍히 여기소서) [3’29]
10 3. Domine Jesu Christe (주 예수) [7’58]
11 4. Sanctus (거룩하시도다) [2’38]
12 5. Pie Jesu (자비하신 예수) [4’16]
13 6. Agnus Dei (하나님의 어린양) [3’36]
14 7. Lux aeterna (영원의 빛) [4’00]
15 8. Libera me (나를 구원하소서) [5’20]
16 9. In Paradisum (낙원에서) [3’20]
Cecilia Bartoli 체칠리아 바르톨리, mezzo-soprano
Bryn Terfel 브린 터펠, bass-baritone
Daniele Rossi 다니엘 로시, organ
Enrico Balboni 엔리코 발보니, solo violin
Luigi Piovano 루이지 피오바노, solo violoncello
Roberto Gabbiani 로베르토 가비아니, chorus master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 1998 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio della Via Conciliazione, 6/1998
Executive Producer: Michael Fine
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Neil Hutchinson
Recording Engineers: Andrew Groves and Graham Meek
Total Timing: 77’07
:: CD 18 :: 459 1462
VOICES FROM HEAVEN
CLAUDIO MONTEVERDI (1567-1643) 클라우디오 몬테베르디
1 “Domine ad adiuvandum” (from the Vespro della Beata Vergine) (주님 저희를 도우러 오소서) [1’38]
JOHANN SEBASTIAN BACH (1685-1750) 요한 제바스티안 바흐
2 “Qui sedes ad dexteram Patris” (from the Mass in B minor BWV 232) (주님 저희를 불쌍히 여기소서) [5’06]
WOLFGANG AMADEUS MOZART (1756-1791) 볼프강 아마데우스 모차르트
3 “Laudate Dominum” (from the Vesperae solennes de confessor K.339) (주님을 찬송하라) [4’55]
4 “Lacrimosa” (Chorus from the Requiem in D minor K. 626) (눈물과 한탄의 날) [3’39]
JOSEPH HAYDN (1732-1809) 요제프 하이든
5 “Stimmt an die Saiten” (from “the Creation”) (리라를 들어 줄을 울려라) [1’51]
FRANZ SCHUBERT (1797-1828) 프란츠 슈베르트
6 Sanctus (from the Mass in E flat major D 950) (거룩하시도다) [3’18]
ANTON BRUCKNER (1824-1896) 안톤 브루크너
7 “Locus iste” (거룩하시도다) [3’48]
GIUSEPPE VERDI (1813-1901) 주세페 베르디
8 “Va’ pensiero sull’ ali dorate” (from “Nabucco”) (히브리 노예들의 합창) [4’49]
JOHANN SEBASTIAN BACH/CHARLES GOUNOD (1818-1893) 요한 제바스티안 바흐/샤를 구노
9 Ave Maria (아베 마리아) [2’42]
GABRIEL FAURÉ (1845-1924) 가브리엘 포레
10 “Pie Jesu” (from the Requiem op.48) (자비로운 예수) [3’42]
11 “Libera me” (from the Requiem op.48) (나를 구원하소서) [4’48]
MAURICE DURUFLÉ (1902-1986) 모리스 뒤뤼플레
12 Sanctus (from the Requiem op.9) (거룩하시도다) [2’38]
FRANCIS POULENC (1899-1963) 프란시스 풀랑크
13 “Gloria in excelsis Deo” (from the Gloria) (영광 높은곳의 주께) [2’49]
JOHN TAVENER (*1944) 존 태브너
14 Song for Athene (아테네를 위한 노래) [7’35]
ÉRIC LEVI (*1955) 에릭 레비
15 I Believe (나는 믿어요) [4’19]
Cecilia Bartoli 체칠리아 바르톨리, mezzo-soprano (2, 3, 9, 10)
Bryn Terfel 브린 터펠, bass-baritone (11)
Andrea Bocelli 안드레아 보첼리, tenor (15)
Chorus Master: Roberto Gabbiani 로베르토 가비아니
Mary Cotton Savini 메리 코튼 사비니, oboe d’amore
Cinzia Maurizio 친치아 마우리치오, harp
Marco Fiorini, Enrico Balboni (10-12) 마르코 피오리니, 엔리코 발보니, first violin
Luca Signorini, Luigi Piovano (10-12)루카 시뇨리니, 루이지 피오바노 , first Cello
Orchestra dell’ Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 1998 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio di Via della Conciliazione, 6/1998
Executive Producer: Michael Fine
Recording Supervisor: Lennart Dehn
Recording Engineers: Graham Meek, Andrew Groves(2, 3, 9-12)
Total Timing: 59’18
:: CD 19 :: 463 4712
MISA TANGO 미사 탱고
LUIS BACALOV (*1933) 루이스 바칼로프
1 1. Kyrie (불쌍히 여기소서) [5’37]
"Señor, ten piedad de nosotros"
2 2. Gloria (대 영광송) [6’22]
"Gloria a Dios en las alturas"
3 3. Credo (사도신경) [4’06]
"Creo en un único Dios"
4 4. Sanctus (거룩하시도다) [5’56]
"Santo, santo santo, Señor Dios"
5 5. Agnus Dei (하나님의 어린 양) [9’53]
"Cordero de Dios"
6 TANGOSAÍN 탱고 [7’59]
ASTOR PIAZZOLLA (1921–1992) 아스트로 피아솔라
7 ADIÓS NONINO 안녕 노니노 [8’03]
(Tango Rapsodia) (orch.: Luis Bacalov)
8 LIBERTANGO 리베르 탱고 [5’39]
(orch.: Luis Bacalov)
Ana Maria Martinez 안나 마리아 마르티네스, mezzo-soprano (1-5)
Plácido Domingo 플라시도 도밍고, tenor (1-5)
Héctor Ulises Passarella 엑토르 울리세스 파사렐라 , bandoneón
Luis Bacalov, 루이스 바칼로프, piano (6-8)
Ciro Visco 시로 비스코 Chorus Master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio di Via della Conciliazione, 2/ 1999
Executive Producer: Michael Fine
Recording Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineers: Wolf-Dieter Karwatky, Everett Porter, Roger
de Schot, Jean-Marie Geijsen
Total Timing : 51’75
:: CD 20 :: 469 0462
ANTONÍN DVOŘÁK (1841–1904) 안토닌 드보르자크
SYMPHONY NO. 6 IN D MAJOR, OP. 60 교향곡 6번 D장조, op. 60
1 Ⅰ. Allegro non tanto [11’53]
2 Ⅱ. Adagio [10’11]
3 Ⅲ. Scherzo (Furiant). Presto [7’20]
4 Ⅳ. Finale. Allegro con spirito [10’30]
SYMPHONY NO. 8 IN G MAJOR, OP. 88 교향곡 8번 G장조, op.88
5 Ⅰ. Allegro con brio [10’35]
6 Ⅱ. Adagio [10’28]
7 Ⅲ. Allegretto grazioso [6’03]
8 Ⅳ. Allegro ma non troppo [9’52]
Wiener Philharmoniker
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Wien, Musikverein, Grober Saal, 4/1999
Executive Producer: Michael Fine
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Rainer Maillard, Stephan Flock
Recording Engineer: Jürgen Bulgrin
Total Timing: 76’52
:: CD 21 :: 469 0762
MARC-ANTOINE CHARPENTIER (1643–1704) 마르크 앙투안 샤르팡티에
TE DEUM H. 146 테 데움
1 Prélude. Rondeau [1’21]
2 Te Deum laudamus [1’13]
3 Te aeternum Patrem [1’45]
4 Pleni sunt caeli et terra [2’08]
5 Te per orbem terrarum [3’38]
6 Tu devicto mortis aculeo [1’31]
7 Te ergo quaesumus [2’40]
8 Aeterna fac cum Sanctis tuis [2’17]
9 Dignare, Domine, die isto [1’53]
10 Fiat misericordia tua [1’42]
11 In te, Domine, speravi [2’07]
WOLFGANG AMADEUS MOZART (1756–1791) 볼프강 아마데우스 모차르트
TE DEUM K. 141 (66B) 테 데움
12 Te Deum laudamus [2’19]
13 Te ergo quaesumus [0’58]
14 Aeterna fac cum Sanctis tuis [1’44]
15 In te, Domine, speravi [1’37]
GIUSEPPE VERDI (1813–1901) 주세페 베르디
16 TE DEUM 테 데움 [17’35]
ARVO PÀRT (*1935) 아르보 패르트
TE DEUM (1984/85; REV. 1992) 테 데움 [32’51]
17 I. Te Deum laudamus [1’29]
18 II. Te aeternum Patrem [0’45]
19 III. Tibi omnes Angeli [3’33]
20 IV. Pleni sunt caeli et terra [0’57]
21 V. Te gloriosus Apostolorum chorus [2’25]
22 VI. Te per orbem terrarum [3’44]
23 VII. Tu Rex gloriae, Christe! [2’16]
24 VIII. Tu devicto mortis aculeo [1’07]
25 IX. Tu ad dexteram Dei sedes [1’45]
26 X. Te ergo quaesumus [1’18]
27 XI. Aeterna fac cum Sanctis tuis [0’42]
28 XII. Salvum fac populum tuum [2’47]
29 XIII. Per singulos dies benedicimus te [1’53]
30 XIV. Dignare, Domine, die isto [1’28]
31 XV. Miserere nostri, Domine [3’32]
32 XVI. In te, Domine, speravi [1’46]
33 XVII. Amen - Sanctus [1’24]
(1-11)Elisabetta Scano 엘리사베타 스카노, soprano I
Cinzia Forte 친치아 포르테, soprano II
Cristina Sogmaister 크리스티아나 소그마이스터, mezzo-soprano
Declan Kelly 디클런 켈리, tenor
Riccardo Novaro 리카르도 노바로, bass
Roberto Gabbiani 로베르토 가비아니, chorus master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Rome, Auditorio di Via della Conciliazione, 4/2000
Executive Producer: Christian Gansch
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineer: Reinhard Lagemann
Total Timing: 78'04
:: CD 22 :: 469 0752
PEZZI SACRI 성가곡
GIUSEPPE VERDI (1813-1901) 주세페 베르디
1 Stabat Mater (1896/97) (슬픔의 성모) [12’23]
2 Laudi alla Vergine Maria (1896/97) (성모찬가) [5’48]
3 Te Deum (1896/97) (테 데움) [17’34]
4 Ave Maria (1889) (아베 마리아) [5’34]
5 Ave Maria (1880) (아베 마리아) [5’18]
6 Ave Maria from “Otello”, Act IV (1887) (아베 마리아) [4’27]
7 Libera me, Domine (1869) from Messa per Rossini (영원한 빛을 그들에게 비추소서) [11’52]
Carmela Remigio 카르멜라 레미조, soprano solo
Filippo Maria Bressan 필립포 마리아 브레산, chorus master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Rome, Auditorio di Via della Conciliazione, 9/2000
Executive Producer: Christian Gansch
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineer: Reinhard Lagemann
Total Timing: 62’56
:: CD 23 :: 471 6132
ANTONÍN DVOŘÁK (1841–1904) 안토닌 드보르자크
SERENADE IN E MAJOR FOR STRING ORCHESTRA OP. 22 (B52)
현을 위한 세레나데 E장조 op.22
1 Ⅰ. Moderato [4’25]
2 Ⅱ. Tempo di valse [6’40]
3 Ⅲ. Scherzo. Vivace [5’20]
4 Ⅳ. Larghetto [4’55]
5 Ⅴ. Finale. Allegro vivace [5’45]
SERENADE IN D MINOR FOR WIND ENSEMBLE OP. 44 (B77)
목관을 위한 세레나데 D 단조 op.44
6 Ⅰ. Moderato, quasi marcia [3’57]
7 Ⅱ. Minuetto. Tempo di minuetto [5’28]
8 Ⅲ. Andante con moto [7’52]
9 Ⅳ. Finale. Allegro molto [5’43]
Martin Gabriel, Alexander Öhlberger
마르틴 가브리엘, 알렉산더 욀베르거, oboes
Peter Schmidl, Andreas Wieser 페터 슈미들, 안드레아스 비저, clarinets
Stepan Turnovsky, Wolfgang Koblitz
스테판 투르놉스키, 볼프강 코블리츠, bassoons
Fritz Faltl 프리츠 팔틀, contrabassoon
Ronald Janezic, Thomas Jöbstl, Wolfgang Vladar
로날트 야네치크, 토마스 웹스틀, 볼프강 블라다르, horns
Wolfgang Herzer 볼프강 헤르처, violoncello
Herbert Mayr 헤르베르트 마이어, double bass
Wienner Philharmoniker
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Vienna, Musikverein, Grosser Saal, 6/2001
Executive Producer: Christian Gansch
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineer: Jürgen Bulgrin
Total Timing: 50’11
:: CD 24 :: 471 6172 (2 CD)
OLIVIER MESSIAEN (1908–1992) 올리비에 메시앙
DES CANYONS AUX ÉTOILES… 협곡에서 별들에게로
CD 1
Première Partie
1 I. Le désert (사막) [3’57]
2 II. Les Orioles (오리올) [6’16]
3 III. Ce qui est écrit sur les étoiles… (별에 쓰여진 것은) [6’19]
4 IV. Le Cossyphe d’Heuglin (흰눈썹 딱새) [4’50]
5 V. Cedar Breaks et le Don de crainte (시더브레이크스와 경외의 선물) [7’45]
Deuxième Partie
6 VI. Appel interstellaire (성간 부름) [5’25]
7 VII. Bryce Canyon et les rochers rouge-orange (브라이스 캐년과 적황색 암석) [13’15]
CD 2
Troisième Partie
8 VIII. Les ressuscités et le chant de l’étoile Aldébaran (부활한 자와 알데바란 별의 노래) [8’23]
9 IX. Le Moqueur polyglotte (흉내지빠귀) [11’08]
10 X. La Grive des bois (개똥지빠귀) [4’56]
11 XI. Omao, Leiothrix, Elepaio, Shama (오마오, 라이오트릭스, 엘레파이오, 샤마) [8’56]
12 XII. Zion Park et la Cité céleste (자이언 공원과 천상의 도시) [10’48]
Roger Muraro 로제 뮈라로, piano
Jean-Jacques Justafré 장 자크 쥐스타프레, horn
Francis Petit 프랑시스 프티, xylorimba
Renaud Muzzolini, 르노 무촐리니 glockenspiel
Orchestre Philharmonique de Radio France
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Maison de Radio France, Salle Olivier Messiaen,
7/2001
Rene Koering, Directeur de la Musique
Recording Producer& Supervisor: Lennart Dehn
Balance Engineer: Raymond Buttin (Radio France)
Recording Engineers: Sylvain Dangoise, Armel Hemme (Radio France)
Total Timing: 92’07
:: CD 25 :: 471 5712 (2 CD)
OLIVIER MESSIAEN (1908–1992) 올리비에 메시앙
LA TRANSFIGURATION DE NOTRE-SEIGNEUR JESUS-CHRIST 우리 주 예수 그리스도의 변용
CD 1
Premier Septénaire
1 I. Récit évangélique [3’15]
2 II. Configuratum corpori claritatis suae [6’27]
3 III. Christus Jesus, splendor Patris [7’13]
4 IV. Récit évangélique [3’03]
5 V. Quam dilecta tabernacula tua [9’30]
6 VI. Candor est lucis aeternae [1’27]
7 VII. Choral de la Sainte Montagne [4’04]
CD 2
Deuxième Septénaire
1 VIII. Récit évangélique [3’50]
2 IX. Perfecte conscius illius perfectae generationis [16’59]
3 X. Adoptionem filiorum perfectam [7’34]
4 XI. Récit évangélique [5’10]
5 XII. Terribilis est locus iste [7’09]
6 XIII. Tota Trinitas apparuit [15’48]
7 XIV. Choral de la lumière de Gloire [8’09]
Roger Muraro 로제 뮈라로, piano
Thomas Prévost 토마 프레보스트, flute
Robert Fontaine 로베르 폰테인, clarinet
Eric Levionnois 에리크 르비오누아, violoncello
Francis Petit 프랑시스 프티, marimba
Renaud Muzzolini 르노 무촐리니, xylorimba
Emmanuel Curt 에마뉘엘 쿠르, vibraphone
Chorus Master: Philip White 필립 화이트
Orchestre Philharmonique et Choeur de Radio France
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Maison de Radio France, Salle Olivier Messiaen, 9/2001
René Koering, Directeur de la Musique
Recording Producer and Supervisor: Lennart Dehn
Balance Engineer: Raymond Buttin (Radio France)
Recording Engineers: Sylvain Dangoise, Olivier Daligault (Radio France)
Total Timing: 98.26
:: CD 26 :: 471 5662
ITALIAN OVERTURES 이탈리아 서곡
CLAUDIO MONTEVERDI (1567-1643) 클라우디오 몬테베르디
1 L’Orfeo: Toccata 오르페오: 토카타 [1’38]
GIOVANNI BATTISTA PERGOLESI (1710–1736) 조반니 바티스타 페르골레시
2 L’olimpiade: Sinfonia 올림피아드: 신포니아 [5’45]
DOMENICO CIMAROSA (1749–1801) 도미니코 치마로사
3 Il maestro di capella: Sinfonia Il 궁정악장: 신포니아 [2’29]
LUIGI CHERUBINI (1760–1842) 루이지 케루비니
4 Démophoon: Ouverture 데모폰: 서곡 [6’53]
GIOACCHINO ROSSINI (1792–1868) 조아키노 로시니
5 Guillaume Tell: Ouverture 빌헬름 텔: 서곡 [11’10]
6 L’Italiana in Algeri: Sinfonia 알제리의 이탈리아 여인: 신포니아 [7’47]
GAETANO DONIZETTI (1797–1848) 가에타노 도니체티
7 Don Pasquale: Sinfonia 돈 파스콸레: 신포니아 [6’49]
VINCENZO BELLINI (1801–1835) 빈첸초 벨리니
8 I Capuleti e i Montecchi: Sinfonia 캐퓰렛가와 몬테규가 : 신포니아 [4’46]
GIUSEPPE VERDI (1813–1901) 주세페 베르디
9 La forza del destino: Sinfonia 운명의 힘: 신포니아 [7’49]
10 La traviata: Preludio (Act I) 라 트라비아타:전주곡 [4’14]
AMILCARE PONCHIELLI (1834–1886) 아밀카레 폰키엘리
11 La gioconda: Preludio 라 조콘다: 전주곡 [5’41]
PIETRO MASCAGNI (1863–1945) 피에트로 마스카니
12 L’amico Fritz: Preludietto 라미코 프리츠: 전주곡 [3’47]
Luigi Piovano 루이지 피오바노, cello (5)
Orchestra dell’Accademia Nazionale di Santa Cecilia
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Rome, Auditorio di Via della Conciliazione, 10/2001
Produced by Christian Gansch
Tonmeister(Balance Engineer)& Editing: Stephan Flock
Recording Engineer: Jurgen Bulgrin
Recorded, edited and mastered by Emil Berliner Studios
Total Timing: 67’08
:: CD 27 :: 477 5706
MAURICE RAVEL (1875-1937) 모리스 라벨
DAPHNIS ET CHLOÉ 다프니스와 클로에
Première Partie
1 Invocation des Nymphes. Entrée de Daphnis et de Chloé [7’48]
2 Danse des Jeunes Filles autour de Daphnis [0’48]
3 Le désir de Dorcon pour Chloé [1’45]
4 Daphnis réaffirme son amour pour Chloé.
La compétition de Dorcon et Daphnis pour un baiser de Chloé [0’44]
5 Danse grotesque de Dorcon [1’48]
6 Danse légère et gracieuse de Daphnis [2’48]
7 Le triomphe de Daphnis et l'union extatique avec Chloé [1’06]
8 Tentative de séduction du Lycéion et danse des voiles [2’21]
9 Invasion des Pirates et les efforts sans succès de Daphnis pour sauver Chloé [2’00]
10 Invocation à Pan par les Nymphes [5’03]
Deuxième partie
11 Interlude / Interlude [2’41]
12 Danse guerrière des Pirates [3’48]
13 Bryaxis ordonne d'amener la captive [0’45]
14 Danse suppliante de Chloé [3’50]
15 L'atmosphère se charge d'éléments insolites.
Entrée des chèvres-pieds. La terre s'entrouvre [2’08]
Troisième partie
16 Lever de Soleil, Daphnis prostré devant la grotte de Nymphes [3’13]
17 Daphnis et Chloé sont réunis [3’40]
18 Dapnis et Chloé miment l'aventure de Pan et de Syrinx [2’50]
19 Abandonnant leurs rôles,
les amoureux s'embrassent et s'agenouillent devant l'autel des Nymphes [2’17]
20 Entrée des jeunes filles et des jeunes gens, agitant des tambourins.
Un joyeux tumulte domine en l'honneur du triomphe des amoureux [4’01]
Symphonie Chorégraphique en Trois Parties
Daniel Bargier 다니엘 바르기에, chorus master
Orchestre Philharmonique et Choeur de Radio France
Myung-Whun Chung
ⓟ 2006 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Radio France, Salle Olivier Messiaen, 11/2004
Producer: Valérie Gross
Recording Producer: Alain Duchemin (Radio France)
Balance Engineer: Joël Soupiron (Radio France)
Total Timing: 51’24
:: CD 28 :: 477 7944
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
TROIS PETITES LITURGIES DE LA PRÉSENCE DIVINE
신의 현현을 위한 세 개의 작은 전례
1 I. Antienne de la conversation intérieure [9’59]
2 II. Séquence du verbe, cantique divin [6’20]
3 III. Psalmodie de l’ubiquité par amour [17’38]
4 COULEURS DE LA CITÉ CÉLESTE 천국의 색채 [17’25]
5 HYMNE POUR GRAND ORCHESTRE 성체비적 찬가 [16’44]
Roger Muraro 로저 무라로, piano (1-3)
Valérie Hartmann-Claverie 발레리 하르트만-클라베리에, ondes Martenot (1-3)
Hélène Collerette 헬레네 콜레르, violin solo (1-3)
Maîtrise de Radio France (1-3)
(Morgan Jourdain 모르칸 주르뎅, chorus master)
Catherine Cournot 카트린 쿠르노, piano (4)
Orchestre Philharmonique de Radio France
Myung-Whun Chung
ⓟ 2008 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Radio France, Salle Olivier Messiaen, 4/2008(Petites
Liturgies) & 7/2008 (Couleurs, Hymne)
Executive Producer (Deutsche Grammophon): Matthias Spindler
Producer (Radio France): Elsa Biston (Petites Liturgies); Vincent
Villetard (Couleurs, Hymne)
Balance Engineer (Radio France): Gilles Pézerat (Petites Liturgies);
Yves Baudry (Couleurs, Hymne)
Recording Engineers (Radio France): Dimitri Scapolan, Elsa Biston
(Petites Liturgies)
Total Timing: 67’26
:: CD 29 :: 480 3653
IGOR STRAVINSKY (1882-1971) 이고르 스트라빈스키
LE SACRE DU PRINTEMPS (VERSION 1947) 봄의 제전
I - L’Adoration de la terre
1 Introduction [3’21]
2 Les Augures printaniers (Danses des adolescentes) [3’03]
3 Jeu du rapt [1’19]
4 Rondes printanières [3’52]
5 Jeux des cités rivales [1’50]
6 Cortège du Sage [0’39]
7 Adoration de la Terre - Le Sage [0’24]
8 Danse de la Terre [1’09]
II - Le Sacrifice
9 Introduction [3’52]
10 Cercles mystérieux des adolescentes [3’05]
11 Glorifi cation de l’Élue [1’32]
12 Evocation des ancêtres [0’39]
13 Action rituelle des ancêtres [3’32]
14 Danse sacrale (L’Élue) [4’27]
MODEST MOUSSORGSKY (1839-1881) 모데스트 무소륵스키
PICTURES AT AN EXHIBITION 전람회의 그림
15 Promenade [1’37]
16 I. Gnomus [2’37]
17 Promenade [0’59]
18 II. The old castle [4’21]
19 Promenade [0’32]
20 III. Tuileries gardens [1’11]
21 IV. Bydlo [2’48]
22 Promenade [0’50]
23 V. Ballet of the Unhatched Chicks [1’09]
24 VI. Samuel Goldenberg and Schmuyle [2’23]
25 VII. The Limoges Market [1’19]
26 VIII. Catacombae [2’05]
27 Con mortuis in lingua mortua [2’02]
28 IX. The hut on chicken’s legs [3’24]
29 X. The Great Gate of Kiev [5’19]
Orchestre Philharmonique de Radio France
Myung-Whun Chung
ⓟ 2010 Universal Music Classic & Jazz France
Recording: Paris, Maison de Radio France, Salle Olivier Messiaen,
3/2007 (1-14) & 12/2008 (15-29)
Recording producer: Paul Malinowski
Balance engineer: Joël Soupiron
Total Timing: 59’39
BONUS CD
Brahms: Symphony No.2 in D Major op.73
Seoul Philharmonic Orchestra
- Deluxe Luxury Box Set
- 29 LP Miniature Original Cover
- 32CD (29 Album + 1 Bonus CD)
- 200 Pages Booklet
:: CD 1 :: 431 7812
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
TURANGALÎLA-SYMPHONIE 투랑갈릴라 교향곡
1 Ⅰ. Introduction (서주) [6΄25]
Modéré, un peu vif
2 Ⅱ. Chant d’amour 1 (사랑의 노래 1) [8’14]
Modéré, lourd
3 Ⅲ. Turangalîla 1 (투랑갈릴라 1) [5’26]
Presque lent, rêveur
4 Ⅳ. Chant d’amour 2 (사랑의 노래 2) [11’03]
Bien modéré
5 Ⅴ. Joie du sang des étoiles (별들의 피의 기쁨) [6’42]
Vif, passionné, avec joie
6 Ⅵ. Jardin du sommeil d’amour (사랑의 잠의 정원) [12’39]
Très modéré, très tendre
7 Ⅶ. Turangalîla 2 (투랑갈릴라 2) [4’11]
Un peu vif –Bien modéré
8 Ⅷ. Développement de l’amour (사랑의 전개) [11’41]
Bien modéré
9 Ⅸ. Turangalîla 3 (투랑갈릴라 3) [4’27]
Bien modéré
10 Ⅹ. Final (피날레) [7’44]
Modéré, presque vif, avec une grande joie
Yvonne Loriod 이본 로리오, piano
Jeanne Loriod 잔 로리오, ondes martenot
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1991 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Paris-Bastille, 10/1990
Production Coordination: Dr.Peter Czornyj
Recording Producer: Lennart Dehn
Balance Engineer: Michael Bergek
Total Timing: 78’32
:: CD 2 :: 431 7782
GEORGES BIZET (1838-1875) 조르주 비제
CARMEN SUITE 카르멘 모음곡
1 1. Les Toréadors (투우사의 노래) [2’04]
2 2. Prélude (전주곡) [1’24]
3 3. Aragonaise (아라곤의 노래) [2’16]
4 4. La Garde Montante (수비 임무를 하러가며) [3’35]
5 5. Intermezzo (간주곡) [2’47]
6 6. Séguedille (세비야의 성벽 부근) [2’04]
7 7. Les Dragons d’alcala (알칼라의 기병) [1’44]
8 8. Danse Bohème (보헤미아 무곡) [3’56]
PETITE SUITE D’ORCHESTRE 관현악을 위한 작은 모음곡
9 1. Marche. Trompette et Tambour (병정놀이: 트럼펫과 드럼) [2’24]
trumpet and drum
10 2. Berceuse. La Poupée (인형: 자장가) [2’38]
the doll
11 3. Impromptu. La Toupie (팽이돌리기: 환상곡) [1’04]
the top
12 4. Duo. Petit Mari, Petite Femme (이중창: 어린 신랑, 어린 신부) [3’30]
little husband, little wife
13 5. Galop. Le Bal (무도회: 갤럽) [1’45]
the ball
L’ARLÉSIENNE: SUITE NO.1 아를의 여인 모음곡 1번
14 1. Prélude (전주곡) [7’10]
15 2. Minuetto (미뉴에트) [3’07]
16 3. Adagietto (아다지오) [3’31]
17 4. Carillon (합종) [4’14]
L’ARLÉSIENNE: SUITE NO.2 아를의 여인 모음곡 2번
18 1. Pastorale (목가) [6’07]
19 2. Intermezzo (간주곡) [4’44]
20 3. Menuet (미뉴에트) [4’33]
21 4. Farandole (화랑돌) [3’24]
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1991 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Bastille, 3/1991
Executive Producer: Dr. Peter Czornyj
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer) & Editing: Michael Bergek
Total Timing: 68’37
:: CD 3 :: 435 8542
CAMILLE SAINT-SAËNS (1835-1921) 카미유 생상스
SYMPHONY NO 3. IN C MINOR, OP. 78 ‘ORGAN’ 교향곡 3번 C단조 op.78 ‘오르간’
1 Ⅰ. Adagio - Allegro moderato - [10’26]
2 Poco adagio - [10’39]
3 Ⅱ. Allegro moderato - Presto - Allegro moderato - [7’24]
4 Maestoso - Allegro [7’56]
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
L’ ASCENSION 그리스도의 승천
5 Ⅰ. Majesté du Christ demandant sa gloire à son Père Très lent et majestueux
(스스로의 영광을 아버시이신 신에게 구하는 그리스도의 위엄) [8’17]
6 Ⅱ. Alléluias sereins d’une âme qui désire le ciel Bien modéré, clair
(천국을 희구하는 영혼의 고요한 알렐루야) [6’06]
7 Ⅲ. Alléluia sur la trompette, alléluia sur la cymbale Vif et joyeux
(자신이 되신 그리스도의 영광에 의한 영혼의 기쁨에의 변이) [5’32]
8 Ⅳ. Prière du Christ montant vers son Père Extrêmement lent, ému et solennel
(아버지께 드리는 그리스도의 기도) [12’22]
Michael Matthes 미셸 마트, orgue
Orchestre de l’ Opéra Bastille
Myung-Whun Chung
ⓟ 1993 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Bastille, Salle R 1, 10/1991
Production Coordination: Dr. Peter Czornyj
Recording Producer: Lennart Dehn
Balance Engineer: Wolfgang Mitlehner
Editing: Friedrich Wilhelm Rödding
Total Timing: 68’52
:: CD 4 :: 437 8182
NIKOLAI RIMSKY KORSAKOV (1844-1908) 니콜라이 림스키 코르사코프
SCHEHERAZADE OP.35 셰에라자드 op.35
1 1. Largo e maestoso - Lento - Allegro non troppo - Tranquillo [9’12]
2 2. Lento Andantino - Allegro molto - Vivace Scherzando - Moderato assai - Allegro molto ed animato [11’05]
3 3. Andantino quasi allegretto [9’44]
4 4. Allegro molto - Lento - Vivo - Allegro non troppo e maestoso - Lento Tempo come I [11’32]
IGOR STRAVINSKY (1882-1971) 이고르 스트라빈스키
L’ OISEAU DE FEU 불새(1919)
5 Introduction (서곡) [3’14]
6 L’Oiseau de feu et sa danse (불새와 춤) [0’17]
7 Variation de I’Oiseau de feu (불새 변주곡) [1’16]
8 Ronde des princesses (공주들의 론도) [4’42]
9 Danse infernale du roi Kachtcheï (마왕 카스체이의 흉악한 춤) [4’24]
10 Berceuse (불새의 자장가) [3’47]
11 Final (피날레) [3’12]
Frédéric Laroque 프레데리크 라로크, violin
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1993 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra de Paris-Bastille, 9/1992
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineer: Hans-Rudolf Müller
Total Timing: 62’36
:: CD 5 :: 439 8702
SERGE PROKOFIEV (1891–1953) 세르게이 프로코피예프
ROMEO AND JULIET 로미오와 줄리엣
Excerpts from Suites No. 1 (op. 64a), No. 2 (op. 64b) and No. 3 (op. 101)
1 The Montagues and the Capulets (op. 64b:1) (몬테규가와 케퓰렛가) [5’31]
2 Juliet the young girl (op. 64b:2) (어린 줄리엣) [3’52]
3 Folk dance (op. 64a:1) (포크 댄스) [4’16]
4 Scene (op. 64a:2) (장면) [1’31]
5 Madrigal (op. 64a:3) (달콤한 말) [3’35]
6 Minuet (op. 64a:4) (미뉴에트) [3’04]
7 Masks (op. 64a:5) (가면) [1’55]
8 Romeo and Juliet (op. 64a:6) (로미오와 줄리엣) [7’41]
9 Tybalt’s death (op. 64a:7) (티볼트의 죽음) [4’35]
10 Friar Laurence (op. 64b:3) (로렌스 신부) [2’40]
11 Dance (op. 64b:4) (춤곡) [1’57]
12 Romeo and Juliet before parting (op. 64b:5) (이별직전의 로미오와 줄리엣) [9’14]
13 Dance of the girls from the Antilles (the girls with lilies) (op. 64b:6) (백합을 든 소녀들의 춤) [2’12]
14 Romeo at Juliet’s tomb (op. 64b:7) (줄리엣의 독약을 먹은 로미오) [7’01]
15 Death of Juliet (op. 101:6) (줄리엣의 죽음) [4’18]
Royal Concertgebouw Orchestra
Myung-Whun Chung
ⓟ 1994 Deutsche Grammophon GmbH, Hamburg [62’36]
Recording: Amsterdam, Het Conertgebouw, 1&2/1993
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineer &Editing: Reinhard Lagemann
Total Timing: 63’22
:: CD 6 :: 445 8782
HENRI DUTILLEUX (*1916) 앙리 뒤티외
MÉTABOLES 메타볼
1 Ⅰ. Incantatoire [3’16]
2 Ⅱ. Linéaire [3’30]
3 Ⅲ. Obsessionnel [2’59]
4 Ⅳ. Torpide [2’44]
5 Ⅴ. Flamboyant [3’59]
HECTOR BERLIOZ (1803-1869) 엑토르 베를리오즈
SYMPHONIE FANTASTIQUE OP. 14 환상교향곡 op.14
6 Ⅰ. Rêveries-Passions [14’49]
7 Ⅱ. Un bal [6’10]
8 Ⅲ. Scène aux champs [15’24]
9 Ⅳ. Marche au supplice [4’31]
10 Ⅴ. Songe d’ une nuit du sabbat [9’39]
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1995 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opéra Bastille, Salle Gounod, 10/1993
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Helmut Burk
Recording Engineer : Hans - Rudolf Müller
Total Timing: 67’07
:: CD 7 :: 439 9292
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
ÉCLAIRS SUR I’AU-DELÀ... 피안의 빛
1 Ⅰ. Apparition du Christ glorieux (영광스런 그리스도의 현현) [6’54]
2 Ⅱ. La Constellation du Sagittaire (사수자리) [6’19]
3 Ⅲ. L’Oiseau-lyre et la Ville-fiancée (금조와 신부의 도시) [4’01]
4 Ⅳ. Les Élus marqués du sceau (선택의 징표) [2’20]
5 Ⅴ. Demeurer dans I’Amour... (사랑 안에 머무름) [10’20]
6 Ⅵ. Les Sept Anges aux sept trompettes (일곱 나팔을 가진 일곱 천사) [5’48]
7 Ⅶ. Et Dieu essuiera toute larme de leurs yeux... (그리고 신은 그들의 모든 눈물을 닦으리라) [3’19]
8 Ⅷ. Les Étoiles et la Gloire (별들의 영광) [11’25]
9 Ⅸ. Plusieurs Oiseaux des arbres de Vie (생명나무 위의 여러 새들) [2’48]
10 Ⅹ. Le Chemin de I’Invisible (보이지 않는 세계의 길) [3’36]
11 ⅩⅠ. Le Christ, lumière du Paradis (그리스도, 천국의 빛) [8’06]
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1994 Deutsche Grammophon GmbH, Hamburg [64’56]
Recording: Paris, Opera Bastille, Salle Gounod
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Helmut Burk
Recording Engineers : Hans - Rudolf Muller, Olivier Rogalla
Total Timing: 64’56
:: CD 8 :: 447 1022
HECTOR BERLIOZ(1803-1869) 엑토르 베를리오즈
1 OUVERTURE DE (오페라 벤베누토첼리니 서곡) [9’54]
2 LE CARNAVAL ROMAIN OP.9 OUVERTURE (로마의 사육제 서곡) [8’01]
3 LE CORSAIRE OP.21 OUVERTURE (해적선 서곡) [8’41]
HAROLD EN ITALIE OP.16 이탈리아의 해럴드
4 Ⅰ. Harold aux montagnes, Scènes de Mélancolie, de Bonheur et de joie [14’50]
(산에 있어서의 해럴드. 우수(憂愁)와 행복과 환희의 정경)
5 Ⅱ. Marche de pèlerins chantant la prière du soir (저녁기도를 부르는 순례자의 행진) [7’36]
6 Ⅲ. Sérénade d’un montagnard des Abruzzes à sa maîtresse [6’40]
(아부루치란 사람이 그 애인에게 보내는 세레나데 2개의 주제)
7 Ⅳ. Orgie de brigands. Souvenir des scènes précédènts (산적들의 잔치. 전경의 추상) [12’37]
Laurent Verney 로랑 베르네, viola
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1996 Deutsche Grammophon GmbH, Hamburg [64’56]
Recordings: Paris, Opera Bastille, Salle Gounod, 11/1993 (Benvenuto,
La Carnaval) & 6/1994 (Harold, Le Corsaire)
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineers: Jobst Eberhardt, Hans–Rudolf Muller (Benvenuto,
Le Carnaval)
Total Timing: 68’42
:: CD 9 :: 445 9472
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
CONCERT À QUATRE 4중주를 위한 협주곡 (1990-1991)
1 1. Entrée [6’32]
2 2. Vocalise [4’23]
3 3. Cadenze [4’53]
4 4. Rondeau [10’23]
5 LES OFFRANDES OUBLIÉES (1930) 잊혀진 제물 [10’37]
6 UN SOURIRE (1989) 미소 [12’28]
7 LE TOMBEAU RESPLENDISSANT (1931) 빛나는 무덤 [15’25]
Catherine Cantin 케서린 칸틴, flute (1-4)
Heinz Holliger 하인츠 홀리거, oboe (1-4)
Yvonne Loriod 이본 로리오, piano (1-4)
Mstislav Rostropovich 므스티슬라프 로스트로포비치, violincello (1-4)
Orchestre de l’Opéra Bastille
Myung-Whun Chung
ⓟ 1995 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Opera Bastille, Salle Gounod, 9/1994
Executive Producer: Roger Wright
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Gernot von Schultzendorff
Recording Engineers: Wolf-Dieter Karwatky, Jobst Eberhardt,
Hans-Rudolf Muller
Total Timing: 64’51
:: CD 10 :: 447 7592
DMITRI SHOSTAKOVICH (1906-1975) 드미트리 쇼스타코비치
SYMPHONY NO.4 IN C MINOR, OP. 43 교향곡 4번 C단조, op.43
1 Ⅰ. Allegro poco moderato [15’14]
2 Presto [11’50]
3 Ⅱ. Moderato con moto [8’08]
4 Ⅲ. Largo [6’39]
5 Allegro [18’42]
Philadelphia Orchestra
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Philadelphia, Memorial Hall, 11/1994
Executive Producer: Roger Wright
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Andrew Wedman
Recording Engineers: Wolf-Dieter Karwatky, Jürgen Bulgrin
Total Timing: 60’33
:: CD 11 :: 449 2072
ANTONÍN DVOŘÁK (1841-1904) 안토닌 드보르자크
SYMPHONY NO. 3 IN E FLAT MAJOR, OP. 10 교향곡 3번 Eb장조, op.10
1 Ⅰ. Allegro moderato [10’27]
2 Ⅱ. Adagio molto, tempo di Marcia [15’31]
3 Ⅲ. Finale: Allegro vivace [7’47]
SYMPHONY NO. 7 IN D MINOR, OP. 70 교향곡 7번 D단조, op.70
4 Ⅰ. Allegro maestoso [11’05]
5 Ⅱ. Poco adagio [10’00]
6 Ⅲ. Scherzo: Vivace - Poco meno mosso [7’02]
7 Ⅳ. Finale: Allegro [8’56]
Wiener Philharmoniker
Myung-Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recording: Wien, Musikverein, Grosser Saal, 2/1995
Executive Producer: John Fisher, Ewald Markl
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Gernot von Schultzendorff
Recording Engineer: Jürgen Bulgrin
Total Timing: 70’58
:: CD 12 :: 453 5002 (2 CD)
HECTOR BERLIOZ (1803-1869) 엑토르 베를리오즈
LA DAMNATION DE FAUST, OP. 24 파우스트의 겁벌, op.24
CD1 :
Part 1
Scène 1
Plaines de Hongrie. Introduction (헝가리의 평원)
1 Le vieil hiver a fait place au printemps [5’53]
Scène 2
Ronde de paysans (농부들의 합창)
2 Les bergers laissent leurs troupeaux [3’17]
Scène 3
Une autre partie de la plaine (평원의 다른 곳에서)
3 Mais d’un éclat guerrier les campagnes se parent [0’53]
4 Marche hongroise [4’34]
Part 2
Scène 4
Nord de L’Allemagne (독일 북부)
5 Sans regrets j’ai quitté les riantes campagnes
Chant de la fête de Pâques (부활절의 노래) [5’30]
6 Christ vient de ressusciter! [5’51]
7 Hélas! Doux chants du ciel [1’09]
Scène 5
8 ô pure émotion! [2’10]
Scène 6
La cave d’Auerbach à Leipzig (라이프치히의 아우에르바흐 주점)
9 A boire encor! [2’33]
10 Certain rat, dans une cuisine [2’04]
Fugue sur le thème de la chanson de Brander (브란데의 노래)
11 Amen [1’25]
12 Vrai Dieu, messieurs [1’07]
Chanson de Méphistophélès (메피스토펠레스의 아리아)
13 Une puce gentile chez un prince logeait [1’23]
14 Assez! Fuyons ces lieux où la parole est vile [2’08]
Scène 7
Air de Mephistopheles (엘베 강가의 숲과 목장-메피스토펠레스의 아리아)
15 Voici des roses [2’29]
Songe de Faust - Choeur de gnomes et de sylphs (땅의 요정들과 공기의 요정들의 합창-파우스트의 꿈)
16 Dors! Heureux Faust! [6’16]
17 Ballet des sylphs [2’21]
18 Margarita! Qu’ai-je vu? [1’08]
Scène 8 : Finale
Choeur de soldats et chanson d’étudiants (학생과 병사들의 합창)
19 Villes entourées de murs et ramparts [1’21]
20 Jam nox stellata velamina pandit [1’00]
21 Villes entourées/Jam nox stellata [2’06]
CD2
Part 3
1 Tambours et trompettes sonant la retraite [0’56]
Scène 9
Air de Faust (파우스트의 아리아)
2 Merci, doux crépuscule! [5’01]
Scène 10
3 Je l’entends! [1’01]
Scène 11
4 Que l’air est étouffant! [2’56]
5 Autrefois un roi de Thule [5’23]
Scène 12
Evocation (초혼 招魂)
6 Esprits des flammes inconstantes [1’47]
7 Menuet des follets [5’32]
‘‘Maintenant, chantons à cette belle une chanson morale’’
Sérénade de Méphistophélès avec choeur de follets (메피스토펠레스의 세레나데)
8 Devant la maison [1’58]
Scène 13
Duo (사랑의 이중창-마르그리트, 파우스트)
9 Grand Dieu! Que vois-je? [0’51]
10 Ange adoré [4’30]
Scène 14
Trio et Choeur (3중창과 합창-마르그리트, 파우스트, 메피스토펠레스, 합창)
11 Allons, il est trop tard! [2’42]
12 Je connais donc enfin tout le prix de la vie [1’51]
Scène 15
Romance (마르그리트의 로망스)
13 D’amour l’ardente flamme [8’14]
14 Au son des trompettes [2’09]
Scène 16
Invocation à la Nature (자연을 향한 기도)
15 Nature immense, impénétrable et fière [5’43]
Scène 17
Récitatif et Chasse (레치타티보와 사냥)
16 A la voûte azurée [3’24]
Scène 18
La Course a l’abîme (지옥으로의 말달리기)
17 Dans mon Coeur retentit sa voix désespérée [3’19]
Scène 19
Pandaemonium (Choeur en langue infernale) (판데모니움)
18 Ha! Irimirukarabrao! [1’47]
19 Tradioun marexil firtrudinxé burrudixé [2’03]
EPILOGUE (에필로그)
Scène 20
Sur la Terre (지상에서)
20 Alors, l’Enfer se tut [1’14]
Dans le Ciel (천국에서)
21 Laus! Laus! Hosanna! Hosanna! [1’07]
Apothéose de Marguerite (마르그리트의 성화)
22 Remote au ciel, âme naïve [1’00]
23 Viens! les vierges divines [2’33]
Keith Lewis 키스 루이스, Faust
Bryn Terfel 브린 터펠, Mephistopheles
Anne Sofie Von Otter 안네 소피 본 오터, Marguerite
Victor Von Halem 빅터 본 하렘, Brander
David Nicklass 데이비드 니클라스, Voix celeste
Philharmonia Chorus
Chorus Masters: David Hill, Simon Halsey 데이비드 힐, 시몬 할세이
Eton College Boys’ Choir
Chorus Master: Ralph Allwood 랄프 알우드
Philharmonia Orchestra
Myung-Whun Chung
ⓟ 1998 Deutsche Grammophon GmbH, Hamburg
Recordings: Basingstoke, The Anvil Auditorium, 4&5/1995, 6/1996
Executive Producer: John Fisher
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Wolfgang Mitlehner
Recording Engineers: Jobst Eberhardt, Stephan Flock, Rainer Höpfner
Total Timing: 116’22
:: CD 13 :: 449 1782
GIOACCHINO ROSSINI (1792-1868) 조아키노 로시니
STABAT MATER 스타바트 마테르
1 Introduzione. “Stabat mater dolorosa” (어머니가 슬퍼하시며 서 계시네) [10’13]
2 Aria. “Cujus animam gementem” (그녀의 영혼은 탄식하네) [5’29]
3 Duetto. “Quis est homo” (울지않을 사람 누가 있으리) [6’30]
4 Aria. “Pro peccatis suae gentis” (아들 예수 우리 위해) [4’19]
5 Coro e Recitativo. “Eja, mater, fons amoris” (오, 어머니 사랑의 샘이여) [5’15]
6 Quartetto. “Sancta mater, istud agas” (성모여, 십자가에 못박히신 아드님의 상처를 마음에 깊이 새기소서) [6’35]
7 Cavatina. “Fac, ut portem Christi mortem” (나로 하여금 눕게 하소서) [4’29]
8 Aria e Coro. “Inflammatus et accensus” (불길에 타서 죽게 하지 마소서) [4’21]
9 Quartetto. “Quando corpus morietur” (내 육신이 쇠할지라도) [6’15]
10 Finale. “Amen. In sempiterna saecula” (아멘 성령께 영원토록) [5’57]
Luba Orgonasova, Cecilia Bartoli
루바 올고나소바, 체칠리아 바르톨리, soprano Ⅰ/Ⅱ
Raul Gimenez 라울 기메네즈, tenore
Roberto Scandiuzzi 로베르토 스칸디우치, basso
Konzertvereinigung Wiener Staatsopernchor
Dietrich Gerpheide 디트리히 게르페데, chorus master
Wiener Philharmoniker
Myung- Whun Chung
ⓟ 1996 Deutsche Grammophon GmbH, Hamburg
Recording: Wien, Musikverein, Grosser Saal, 6/1995
Executive Producers: John Fisher, Ewald Markl
Recording Producer: Lennart Dehn
Tonmeister (Balance Engineer): Andrew Wedman
Recording Engineers: Klaus Behrens, Reinhard Lagemann
Total Timing: 59’23
:: CD 14 :: 453 7132
LUDWIG VAN BEETHOVEN(1770-1827) 루트비히 반 베토벤
MUSIK ZU AUGUST VON KOTZEBUES FESTSPIEL
‘KÖNIG STEPHAN ODER UNGARNS ERSTER WOHLTÄTER’ OP. 117 (1811)
아우구스트 폰 코체부의 축제극 ‘슈테판 왕, 혹은 헝가리 최초의 은인’의 부수음악
Music to August von Kotzebue’s festival play “King Stephen or Hungary’s First Benefactor”
1 Ouvertüre [6’37]
2 No. 1 Chor: "Ruhend von seinen Taten" - "Seid mir gegrüßt an dieses Thrones Stufen" [4’19]
3 No. 2 Chor: "Auf dunkelm Irrweg in finstern Hainen" - " Fürst! Mich sandten die Edlen im Heere" [1’52]
4 No. 3 Siegesmarsch "Ihr tapfern Krieger, Ungarns Stolz und Zierde" [6’14]
5 No. 4 Chor: "Wo die Unschuld Blumen streute" [2’27]
6 No. 5 Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen" [1’00]
7 No. 6 Chor: "Eine neue strahlende Sonne" [0’30]
8 No. 7 Melodram:
"Ihr edlen Ungarn! Hört meine Stimme!" - "Empfanget sie aus eueres Fürsten Händen" [2’17]
9 No. 8 Geistlicher Marsch, Chor und Melodram: [10’03]
Marsch - "In der schönsten deiner Lebensstunden"
Chor: "Heil unserm Könige" - "Ich schmücke ehrfurchtsvoll mein Haupt"
10 No. 9 Schlußchor: "Heil! Heil unsern Enkeln!" [1’54]
DER GLORREICHE AUGENBLICK OP. 136 (1814)
KANTATE FÜR VIER SOLOSTIMMEN, CHOR UND ORCHESTER
‘영광의 순간’ 네 명의 독창자, 합창단 및 오케스트라를 위한 칸타타
“The Moment of Glory” Cantata for four solo voices, chorus and orchestra
11 Chor: Europa steht! [3’51]
12 Rezitativ: "O seht sie nah und näher treten!" [3’35]
Chor: "Vienna, Vienna, Vienna!
13 Rezitativ: "O Himmel, welch’ Entzücken!" [9’14]
Arie mit Chor: "Alle die Herrscher darf ich grüssen"
14 Rezitativ: "Das Auge schaut" [7’04]
Kavatine mit Chor: "Dem die erste Zähr"
15 Rezitativ: "Der den Bund im Sturme festgehalten" [6’18]
Quartett: "In meinen Mauern bauen sich neue Zeiten auf"
16 Chor: "Es treten vor die Scharen der Frauen" [3’50]
(1-10)Dietrich Fischer-Dieskau 디트리히 피셔 디스카우, King Stephen
Ulrike Jackwerth 울리케 야크베르트, Gisela
Helmut Rühl 헬무트 륄, Bayerischer Gesandter, Greis
Frank Thomas Mende 프랑크 토마스 멘데, Gyula
Boris Aliinovicz 보리스 아위노비츠, a warrior
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia
(11-16)Luba Orgonasova 루바 오르고나소바, Vienna
Iris Vermillion 이리스 페르밀리온, Seherin
Timothy Robinson 티모시 로빈슨, Genius
Franz Hawlata 프란츠 하블라타, Führer des Volkes
Coro di voci bianche dell’Arcum
Chorus Master: Paolo Lucci 파올로 루치
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorium di Via della Conciliazione & Berlin SFB,
Kleiner Sendesaal, 10/1996
Executive Producer: John Fisher
Recording Producer: Lennart Dehn
Balance Engineer: Lennart Dehn (1-10), Wolfgang Mitlehner(11-16)
Recording Engineer: Klaus Behrens, Hans - Rudolf Müller
Total Timing: 68’26
:: CD 15 :: 457 6872
JOHANNES BRAHMS (1833-1897) 요하네스 브람스
SYMPHONY NO1. IN C MINOR, OP. 68 교향곡 1번 C단조 op.68
1 Ⅰ. Un poco sostenuto - Allegro [14’41]
2 Ⅱ. Andante sostenuto [9’28]
3 Ⅲ. Un poco Allegretto e grazioso [4’35]
4 Ⅳ. Adagio - Pi Andante - Allegro non troppo, ma non brio [18’41]
5 HUNGARIAN DANCE NO.5 IN G MINOR [2’55]
(Orchestration: Martin Schmeling)
Allegro - Vivace
헝가리 무곡 5번 G단조
Asia Philharmonic Orchestra
Myung- Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recordings: Seoul , Seoul Arts Center, 1/1997
Recording Producer & Supervisor: Lennart Dehn
Balance Engineer: Michael Bergek
Mastering: Torbjörn Samuelsson
Total Timing: 50’20
:: CD 16 :: 457 3552
A HYMN FOR THE WORLD
ANTONIO VIVALDI (1678-1741) 안토니오 비발디
1 Gloria in excelsis Deo (from the Gloria RV 589) (하늘에 영광) [2’06]
2 Domine Deus, Rex caelestis (from the Gloria RV 589) (주님의 크신 영광에 감사하나이다) [4’18]
JOHANN SEBASTIAN BACH(1685-1750) 요한 세바스티안 바흐
3 Jesus bleibet meine Freude (Jesu, Joy of Man’s Desiring) [2’34]
(from the Cantata BWV 147) (예수, 인간 소망의 기쁨)
GEORGE FRIDERIC HANDEL (1685-1759) 게오르그 프리드리히 헨델
4 “Hallelujah” Chorus (from Messiah) (할렐루야) [3’17]
WOLFGANG AMADEUS MOZART (1756-1791) 볼프강 아마데우스 모차르트
5 Ave verum corpus K.618 (거룩하신 몸) [3’39]
6 Alleluia (from Exsultate, jubilate K.165/158a) (알렐루야) [2’33]
FRANZ LISZT (1811-1886) 프란츠 리스트
7 Ave verum corpus (거룩하신 몸) [4’45]
8 Qui seminant in lacrimis (Psalm 125) (눈물을 흘리며 씨를 거두는자) [2’58]
GIUSEPPE VERDI (1813-1901) 주세페 베르디
9 Sanctus (from the Requiem) (거룩하시도다) [2’32]
GIOACCHINO ROSSINI (1792-1868) 조아키노 로시니
10 Amen (from Stabat Mater) (아멘) [6’14]
CHARLES GOUNOD (1818-1893) 샤를 구노 (orch. Alberico Vitalini)
11 Marche Pontificale (교황의 행진) [2’38]
GEORGES BIZET (1838-1875) 조르주 비제 (arr. Ernest Guiraud)
12 Agnus Dei (하나님의 어린양) [5’26]
CÉSAR FRANCK (1822-1890) 세자르 프랑크
13 Panis angelicus (생명의 양식) [4’19]
GABRIEL FAURÉ (1845-1924) 가브리엘 포레
14 In Paradisum (from the Requiem op.48) (낙원에서) [3’26]
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
15 O sacrum convivium (오 거룩한 잔치여) [7’16]
16 RITE OF PEACE (Friedensgebet) (평화의 의식) [0’44]
Cecilia Bartoli 체칠리아 바르톨리, mezzo-soprano (2, 6, 13)
Andrea Bocelli 안드레아 보첼리, tenor (12)
Coro dell’ Accademia Nazionale di Santa Cecilia
Chorus master: Norbert Balatsch 노르베르트 발라치
Pope John Paul Ⅱ 교황 요한 바오로 2세 (16)
Augusto Loppi 아우구스토 로피, oboe (2)
Luigi Piovano 루이지 피오바노, cello (2, 13)
Cinzia Maurizio 친치아 마우리지오, harp (13)
Daniele Rossi 다니엘레 로시, organ (1-8 , 13-15)
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung –Whun Chung
ⓟ 1997 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio di Via della Conciliazione, 5/1997 (2, 6,
13) & 6/1997
Executive Producer: Michael Fine, Karsten Witt
Recording Producer & Supervisor: Lennart Dehn (6/1997)
Tonmeister (Balance Engineer): Wolfgang Mitlehner (6/1997)
Recording Engineers: Wolf-Dieter Karwatky (5/1997), Jürgen Bulgrin
(6/1997)
Total Timing: 58’45
:: CD 17 :: 459 3652
IN PARADISUM
GABRIEL FAURÉ (1845-1924) 가브리엘 포레
REQUIEM, OP.48 레퀴엠, op.48
1 1. Introït et Kyrie (입당송과 자비송) [8’15]
2 2. Offertoire (봉헌송) [8’43]
3 3. Sanctus (거룩하시다) [2’58]
4 4. Pie Jesu (자비로운 예수) [3’42]
5 5. Agnus Dei (하나님의 어린양) [6’10]
6 6. Libera me (나를 구원하소서) [4’48]
7 7. In Paradisum (낙원에서) [3’22]
MAURICE DURUFLÉ (1902-1986) 모리스 뒤뤼플레
REQUIEM, OP.9 레퀴엠,op 9
8 1. Introït (입당송과 자비송) [3’25]
9 2. Kyrie (불쌍히 여기소서) [3’29]
10 3. Domine Jesu Christe (주 예수) [7’58]
11 4. Sanctus (거룩하시도다) [2’38]
12 5. Pie Jesu (자비하신 예수) [4’16]
13 6. Agnus Dei (하나님의 어린양) [3’36]
14 7. Lux aeterna (영원의 빛) [4’00]
15 8. Libera me (나를 구원하소서) [5’20]
16 9. In Paradisum (낙원에서) [3’20]
Cecilia Bartoli 체칠리아 바르톨리, mezzo-soprano
Bryn Terfel 브린 터펠, bass-baritone
Daniele Rossi 다니엘 로시, organ
Enrico Balboni 엔리코 발보니, solo violin
Luigi Piovano 루이지 피오바노, solo violoncello
Roberto Gabbiani 로베르토 가비아니, chorus master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 1998 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio della Via Conciliazione, 6/1998
Executive Producer: Michael Fine
Recording Producer & Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Neil Hutchinson
Recording Engineers: Andrew Groves and Graham Meek
Total Timing: 77’07
:: CD 18 :: 459 1462
VOICES FROM HEAVEN
CLAUDIO MONTEVERDI (1567-1643) 클라우디오 몬테베르디
1 “Domine ad adiuvandum” (from the Vespro della Beata Vergine) (주님 저희를 도우러 오소서) [1’38]
JOHANN SEBASTIAN BACH (1685-1750) 요한 제바스티안 바흐
2 “Qui sedes ad dexteram Patris” (from the Mass in B minor BWV 232) (주님 저희를 불쌍히 여기소서) [5’06]
WOLFGANG AMADEUS MOZART (1756-1791) 볼프강 아마데우스 모차르트
3 “Laudate Dominum” (from the Vesperae solennes de confessor K.339) (주님을 찬송하라) [4’55]
4 “Lacrimosa” (Chorus from the Requiem in D minor K. 626) (눈물과 한탄의 날) [3’39]
JOSEPH HAYDN (1732-1809) 요제프 하이든
5 “Stimmt an die Saiten” (from “the Creation”) (리라를 들어 줄을 울려라) [1’51]
FRANZ SCHUBERT (1797-1828) 프란츠 슈베르트
6 Sanctus (from the Mass in E flat major D 950) (거룩하시도다) [3’18]
ANTON BRUCKNER (1824-1896) 안톤 브루크너
7 “Locus iste” (거룩하시도다) [3’48]
GIUSEPPE VERDI (1813-1901) 주세페 베르디
8 “Va’ pensiero sull’ ali dorate” (from “Nabucco”) (히브리 노예들의 합창) [4’49]
JOHANN SEBASTIAN BACH/CHARLES GOUNOD (1818-1893) 요한 제바스티안 바흐/샤를 구노
9 Ave Maria (아베 마리아) [2’42]
GABRIEL FAURÉ (1845-1924) 가브리엘 포레
10 “Pie Jesu” (from the Requiem op.48) (자비로운 예수) [3’42]
11 “Libera me” (from the Requiem op.48) (나를 구원하소서) [4’48]
MAURICE DURUFLÉ (1902-1986) 모리스 뒤뤼플레
12 Sanctus (from the Requiem op.9) (거룩하시도다) [2’38]
FRANCIS POULENC (1899-1963) 프란시스 풀랑크
13 “Gloria in excelsis Deo” (from the Gloria) (영광 높은곳의 주께) [2’49]
JOHN TAVENER (*1944) 존 태브너
14 Song for Athene (아테네를 위한 노래) [7’35]
ÉRIC LEVI (*1955) 에릭 레비
15 I Believe (나는 믿어요) [4’19]
Cecilia Bartoli 체칠리아 바르톨리, mezzo-soprano (2, 3, 9, 10)
Bryn Terfel 브린 터펠, bass-baritone (11)
Andrea Bocelli 안드레아 보첼리, tenor (15)
Chorus Master: Roberto Gabbiani 로베르토 가비아니
Mary Cotton Savini 메리 코튼 사비니, oboe d’amore
Cinzia Maurizio 친치아 마우리치오, harp
Marco Fiorini, Enrico Balboni (10-12) 마르코 피오리니, 엔리코 발보니, first violin
Luca Signorini, Luigi Piovano (10-12)루카 시뇨리니, 루이지 피오바노 , first Cello
Orchestra dell’ Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 1998 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio di Via della Conciliazione, 6/1998
Executive Producer: Michael Fine
Recording Supervisor: Lennart Dehn
Recording Engineers: Graham Meek, Andrew Groves(2, 3, 9-12)
Total Timing: 59’18
:: CD 19 :: 463 4712
MISA TANGO 미사 탱고
LUIS BACALOV (*1933) 루이스 바칼로프
1 1. Kyrie (불쌍히 여기소서) [5’37]
"Señor, ten piedad de nosotros"
2 2. Gloria (대 영광송) [6’22]
"Gloria a Dios en las alturas"
3 3. Credo (사도신경) [4’06]
"Creo en un único Dios"
4 4. Sanctus (거룩하시도다) [5’56]
"Santo, santo santo, Señor Dios"
5 5. Agnus Dei (하나님의 어린 양) [9’53]
"Cordero de Dios"
6 TANGOSAÍN 탱고 [7’59]
ASTOR PIAZZOLLA (1921–1992) 아스트로 피아솔라
7 ADIÓS NONINO 안녕 노니노 [8’03]
(Tango Rapsodia) (orch.: Luis Bacalov)
8 LIBERTANGO 리베르 탱고 [5’39]
(orch.: Luis Bacalov)
Ana Maria Martinez 안나 마리아 마르티네스, mezzo-soprano (1-5)
Plácido Domingo 플라시도 도밍고, tenor (1-5)
Héctor Ulises Passarella 엑토르 울리세스 파사렐라 , bandoneón
Luis Bacalov, 루이스 바칼로프, piano (6-8)
Ciro Visco 시로 비스코 Chorus Master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia Roma
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Roma, Auditorio di Via della Conciliazione, 2/ 1999
Executive Producer: Michael Fine
Recording Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineers: Wolf-Dieter Karwatky, Everett Porter, Roger
de Schot, Jean-Marie Geijsen
Total Timing : 51’75
:: CD 20 :: 469 0462
ANTONÍN DVOŘÁK (1841–1904) 안토닌 드보르자크
SYMPHONY NO. 6 IN D MAJOR, OP. 60 교향곡 6번 D장조, op. 60
1 Ⅰ. Allegro non tanto [11’53]
2 Ⅱ. Adagio [10’11]
3 Ⅲ. Scherzo (Furiant). Presto [7’20]
4 Ⅳ. Finale. Allegro con spirito [10’30]
SYMPHONY NO. 8 IN G MAJOR, OP. 88 교향곡 8번 G장조, op.88
5 Ⅰ. Allegro con brio [10’35]
6 Ⅱ. Adagio [10’28]
7 Ⅲ. Allegretto grazioso [6’03]
8 Ⅳ. Allegro ma non troppo [9’52]
Wiener Philharmoniker
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Wien, Musikverein, Grober Saal, 4/1999
Executive Producer: Michael Fine
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Rainer Maillard, Stephan Flock
Recording Engineer: Jürgen Bulgrin
Total Timing: 76’52
:: CD 21 :: 469 0762
MARC-ANTOINE CHARPENTIER (1643–1704) 마르크 앙투안 샤르팡티에
TE DEUM H. 146 테 데움
1 Prélude. Rondeau [1’21]
2 Te Deum laudamus [1’13]
3 Te aeternum Patrem [1’45]
4 Pleni sunt caeli et terra [2’08]
5 Te per orbem terrarum [3’38]
6 Tu devicto mortis aculeo [1’31]
7 Te ergo quaesumus [2’40]
8 Aeterna fac cum Sanctis tuis [2’17]
9 Dignare, Domine, die isto [1’53]
10 Fiat misericordia tua [1’42]
11 In te, Domine, speravi [2’07]
WOLFGANG AMADEUS MOZART (1756–1791) 볼프강 아마데우스 모차르트
TE DEUM K. 141 (66B) 테 데움
12 Te Deum laudamus [2’19]
13 Te ergo quaesumus [0’58]
14 Aeterna fac cum Sanctis tuis [1’44]
15 In te, Domine, speravi [1’37]
GIUSEPPE VERDI (1813–1901) 주세페 베르디
16 TE DEUM 테 데움 [17’35]
ARVO PÀRT (*1935) 아르보 패르트
TE DEUM (1984/85; REV. 1992) 테 데움 [32’51]
17 I. Te Deum laudamus [1’29]
18 II. Te aeternum Patrem [0’45]
19 III. Tibi omnes Angeli [3’33]
20 IV. Pleni sunt caeli et terra [0’57]
21 V. Te gloriosus Apostolorum chorus [2’25]
22 VI. Te per orbem terrarum [3’44]
23 VII. Tu Rex gloriae, Christe! [2’16]
24 VIII. Tu devicto mortis aculeo [1’07]
25 IX. Tu ad dexteram Dei sedes [1’45]
26 X. Te ergo quaesumus [1’18]
27 XI. Aeterna fac cum Sanctis tuis [0’42]
28 XII. Salvum fac populum tuum [2’47]
29 XIII. Per singulos dies benedicimus te [1’53]
30 XIV. Dignare, Domine, die isto [1’28]
31 XV. Miserere nostri, Domine [3’32]
32 XVI. In te, Domine, speravi [1’46]
33 XVII. Amen - Sanctus [1’24]
(1-11)Elisabetta Scano 엘리사베타 스카노, soprano I
Cinzia Forte 친치아 포르테, soprano II
Cristina Sogmaister 크리스티아나 소그마이스터, mezzo-soprano
Declan Kelly 디클런 켈리, tenor
Riccardo Novaro 리카르도 노바로, bass
Roberto Gabbiani 로베르토 가비아니, chorus master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Rome, Auditorio di Via della Conciliazione, 4/2000
Executive Producer: Christian Gansch
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineer: Reinhard Lagemann
Total Timing: 78'04
:: CD 22 :: 469 0752
PEZZI SACRI 성가곡
GIUSEPPE VERDI (1813-1901) 주세페 베르디
1 Stabat Mater (1896/97) (슬픔의 성모) [12’23]
2 Laudi alla Vergine Maria (1896/97) (성모찬가) [5’48]
3 Te Deum (1896/97) (테 데움) [17’34]
4 Ave Maria (1889) (아베 마리아) [5’34]
5 Ave Maria (1880) (아베 마리아) [5’18]
6 Ave Maria from “Otello”, Act IV (1887) (아베 마리아) [4’27]
7 Libera me, Domine (1869) from Messa per Rossini (영원한 빛을 그들에게 비추소서) [11’52]
Carmela Remigio 카르멜라 레미조, soprano solo
Filippo Maria Bressan 필립포 마리아 브레산, chorus master
Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Rome, Auditorio di Via della Conciliazione, 9/2000
Executive Producer: Christian Gansch
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineer: Reinhard Lagemann
Total Timing: 62’56
:: CD 23 :: 471 6132
ANTONÍN DVOŘÁK (1841–1904) 안토닌 드보르자크
SERENADE IN E MAJOR FOR STRING ORCHESTRA OP. 22 (B52)
현을 위한 세레나데 E장조 op.22
1 Ⅰ. Moderato [4’25]
2 Ⅱ. Tempo di valse [6’40]
3 Ⅲ. Scherzo. Vivace [5’20]
4 Ⅳ. Larghetto [4’55]
5 Ⅴ. Finale. Allegro vivace [5’45]
SERENADE IN D MINOR FOR WIND ENSEMBLE OP. 44 (B77)
목관을 위한 세레나데 D 단조 op.44
6 Ⅰ. Moderato, quasi marcia [3’57]
7 Ⅱ. Minuetto. Tempo di minuetto [5’28]
8 Ⅲ. Andante con moto [7’52]
9 Ⅳ. Finale. Allegro molto [5’43]
Martin Gabriel, Alexander Öhlberger
마르틴 가브리엘, 알렉산더 욀베르거, oboes
Peter Schmidl, Andreas Wieser 페터 슈미들, 안드레아스 비저, clarinets
Stepan Turnovsky, Wolfgang Koblitz
스테판 투르놉스키, 볼프강 코블리츠, bassoons
Fritz Faltl 프리츠 팔틀, contrabassoon
Ronald Janezic, Thomas Jöbstl, Wolfgang Vladar
로날트 야네치크, 토마스 웹스틀, 볼프강 블라다르, horns
Wolfgang Herzer 볼프강 헤르처, violoncello
Herbert Mayr 헤르베르트 마이어, double bass
Wienner Philharmoniker
Myung-Whun Chung
ⓟ 2000 Deutsche Grammophon GmbH, Hamburg
Recording: Vienna, Musikverein, Grosser Saal, 6/2001
Executive Producer: Christian Gansch
Recording Producer& Supervisor: Lennart Dehn
Tonmeister (Balance Engineer): Stephan Flock
Recording Engineer: Jürgen Bulgrin
Total Timing: 50’11
:: CD 24 :: 471 6172 (2 CD)
OLIVIER MESSIAEN (1908–1992) 올리비에 메시앙
DES CANYONS AUX ÉTOILES… 협곡에서 별들에게로
CD 1
Première Partie
1 I. Le désert (사막) [3’57]
2 II. Les Orioles (오리올) [6’16]
3 III. Ce qui est écrit sur les étoiles… (별에 쓰여진 것은) [6’19]
4 IV. Le Cossyphe d’Heuglin (흰눈썹 딱새) [4’50]
5 V. Cedar Breaks et le Don de crainte (시더브레이크스와 경외의 선물) [7’45]
Deuxième Partie
6 VI. Appel interstellaire (성간 부름) [5’25]
7 VII. Bryce Canyon et les rochers rouge-orange (브라이스 캐년과 적황색 암석) [13’15]
CD 2
Troisième Partie
8 VIII. Les ressuscités et le chant de l’étoile Aldébaran (부활한 자와 알데바란 별의 노래) [8’23]
9 IX. Le Moqueur polyglotte (흉내지빠귀) [11’08]
10 X. La Grive des bois (개똥지빠귀) [4’56]
11 XI. Omao, Leiothrix, Elepaio, Shama (오마오, 라이오트릭스, 엘레파이오, 샤마) [8’56]
12 XII. Zion Park et la Cité céleste (자이언 공원과 천상의 도시) [10’48]
Roger Muraro 로제 뮈라로, piano
Jean-Jacques Justafré 장 자크 쥐스타프레, horn
Francis Petit 프랑시스 프티, xylorimba
Renaud Muzzolini, 르노 무촐리니 glockenspiel
Orchestre Philharmonique de Radio France
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Maison de Radio France, Salle Olivier Messiaen,
7/2001
Rene Koering, Directeur de la Musique
Recording Producer& Supervisor: Lennart Dehn
Balance Engineer: Raymond Buttin (Radio France)
Recording Engineers: Sylvain Dangoise, Armel Hemme (Radio France)
Total Timing: 92’07
:: CD 25 :: 471 5712 (2 CD)
OLIVIER MESSIAEN (1908–1992) 올리비에 메시앙
LA TRANSFIGURATION DE NOTRE-SEIGNEUR JESUS-CHRIST 우리 주 예수 그리스도의 변용
CD 1
Premier Septénaire
1 I. Récit évangélique [3’15]
2 II. Configuratum corpori claritatis suae [6’27]
3 III. Christus Jesus, splendor Patris [7’13]
4 IV. Récit évangélique [3’03]
5 V. Quam dilecta tabernacula tua [9’30]
6 VI. Candor est lucis aeternae [1’27]
7 VII. Choral de la Sainte Montagne [4’04]
CD 2
Deuxième Septénaire
1 VIII. Récit évangélique [3’50]
2 IX. Perfecte conscius illius perfectae generationis [16’59]
3 X. Adoptionem filiorum perfectam [7’34]
4 XI. Récit évangélique [5’10]
5 XII. Terribilis est locus iste [7’09]
6 XIII. Tota Trinitas apparuit [15’48]
7 XIV. Choral de la lumière de Gloire [8’09]
Roger Muraro 로제 뮈라로, piano
Thomas Prévost 토마 프레보스트, flute
Robert Fontaine 로베르 폰테인, clarinet
Eric Levionnois 에리크 르비오누아, violoncello
Francis Petit 프랑시스 프티, marimba
Renaud Muzzolini 르노 무촐리니, xylorimba
Emmanuel Curt 에마뉘엘 쿠르, vibraphone
Chorus Master: Philip White 필립 화이트
Orchestre Philharmonique et Choeur de Radio France
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Maison de Radio France, Salle Olivier Messiaen, 9/2001
René Koering, Directeur de la Musique
Recording Producer and Supervisor: Lennart Dehn
Balance Engineer: Raymond Buttin (Radio France)
Recording Engineers: Sylvain Dangoise, Olivier Daligault (Radio France)
Total Timing: 98.26
:: CD 26 :: 471 5662
ITALIAN OVERTURES 이탈리아 서곡
CLAUDIO MONTEVERDI (1567-1643) 클라우디오 몬테베르디
1 L’Orfeo: Toccata 오르페오: 토카타 [1’38]
GIOVANNI BATTISTA PERGOLESI (1710–1736) 조반니 바티스타 페르골레시
2 L’olimpiade: Sinfonia 올림피아드: 신포니아 [5’45]
DOMENICO CIMAROSA (1749–1801) 도미니코 치마로사
3 Il maestro di capella: Sinfonia Il 궁정악장: 신포니아 [2’29]
LUIGI CHERUBINI (1760–1842) 루이지 케루비니
4 Démophoon: Ouverture 데모폰: 서곡 [6’53]
GIOACCHINO ROSSINI (1792–1868) 조아키노 로시니
5 Guillaume Tell: Ouverture 빌헬름 텔: 서곡 [11’10]
6 L’Italiana in Algeri: Sinfonia 알제리의 이탈리아 여인: 신포니아 [7’47]
GAETANO DONIZETTI (1797–1848) 가에타노 도니체티
7 Don Pasquale: Sinfonia 돈 파스콸레: 신포니아 [6’49]
VINCENZO BELLINI (1801–1835) 빈첸초 벨리니
8 I Capuleti e i Montecchi: Sinfonia 캐퓰렛가와 몬테규가 : 신포니아 [4’46]
GIUSEPPE VERDI (1813–1901) 주세페 베르디
9 La forza del destino: Sinfonia 운명의 힘: 신포니아 [7’49]
10 La traviata: Preludio (Act I) 라 트라비아타:전주곡 [4’14]
AMILCARE PONCHIELLI (1834–1886) 아밀카레 폰키엘리
11 La gioconda: Preludio 라 조콘다: 전주곡 [5’41]
PIETRO MASCAGNI (1863–1945) 피에트로 마스카니
12 L’amico Fritz: Preludietto 라미코 프리츠: 전주곡 [3’47]
Luigi Piovano 루이지 피오바노, cello (5)
Orchestra dell’Accademia Nazionale di Santa Cecilia
Myung-Whun Chung
ⓟ 2002 Deutsche Grammophon GmbH, Hamburg
Recording: Rome, Auditorio di Via della Conciliazione, 10/2001
Produced by Christian Gansch
Tonmeister(Balance Engineer)& Editing: Stephan Flock
Recording Engineer: Jurgen Bulgrin
Recorded, edited and mastered by Emil Berliner Studios
Total Timing: 67’08
:: CD 27 :: 477 5706
MAURICE RAVEL (1875-1937) 모리스 라벨
DAPHNIS ET CHLOÉ 다프니스와 클로에
Première Partie
1 Invocation des Nymphes. Entrée de Daphnis et de Chloé [7’48]
2 Danse des Jeunes Filles autour de Daphnis [0’48]
3 Le désir de Dorcon pour Chloé [1’45]
4 Daphnis réaffirme son amour pour Chloé.
La compétition de Dorcon et Daphnis pour un baiser de Chloé [0’44]
5 Danse grotesque de Dorcon [1’48]
6 Danse légère et gracieuse de Daphnis [2’48]
7 Le triomphe de Daphnis et l'union extatique avec Chloé [1’06]
8 Tentative de séduction du Lycéion et danse des voiles [2’21]
9 Invasion des Pirates et les efforts sans succès de Daphnis pour sauver Chloé [2’00]
10 Invocation à Pan par les Nymphes [5’03]
Deuxième partie
11 Interlude / Interlude [2’41]
12 Danse guerrière des Pirates [3’48]
13 Bryaxis ordonne d'amener la captive [0’45]
14 Danse suppliante de Chloé [3’50]
15 L'atmosphère se charge d'éléments insolites.
Entrée des chèvres-pieds. La terre s'entrouvre [2’08]
Troisième partie
16 Lever de Soleil, Daphnis prostré devant la grotte de Nymphes [3’13]
17 Daphnis et Chloé sont réunis [3’40]
18 Dapnis et Chloé miment l'aventure de Pan et de Syrinx [2’50]
19 Abandonnant leurs rôles,
les amoureux s'embrassent et s'agenouillent devant l'autel des Nymphes [2’17]
20 Entrée des jeunes filles et des jeunes gens, agitant des tambourins.
Un joyeux tumulte domine en l'honneur du triomphe des amoureux [4’01]
Symphonie Chorégraphique en Trois Parties
Daniel Bargier 다니엘 바르기에, chorus master
Orchestre Philharmonique et Choeur de Radio France
Myung-Whun Chung
ⓟ 2006 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Radio France, Salle Olivier Messiaen, 11/2004
Producer: Valérie Gross
Recording Producer: Alain Duchemin (Radio France)
Balance Engineer: Joël Soupiron (Radio France)
Total Timing: 51’24
:: CD 28 :: 477 7944
OLIVIER MESSIAEN (1908-1992) 올리비에 메시앙
TROIS PETITES LITURGIES DE LA PRÉSENCE DIVINE
신의 현현을 위한 세 개의 작은 전례
1 I. Antienne de la conversation intérieure [9’59]
2 II. Séquence du verbe, cantique divin [6’20]
3 III. Psalmodie de l’ubiquité par amour [17’38]
4 COULEURS DE LA CITÉ CÉLESTE 천국의 색채 [17’25]
5 HYMNE POUR GRAND ORCHESTRE 성체비적 찬가 [16’44]
Roger Muraro 로저 무라로, piano (1-3)
Valérie Hartmann-Claverie 발레리 하르트만-클라베리에, ondes Martenot (1-3)
Hélène Collerette 헬레네 콜레르, violin solo (1-3)
Maîtrise de Radio France (1-3)
(Morgan Jourdain 모르칸 주르뎅, chorus master)
Catherine Cournot 카트린 쿠르노, piano (4)
Orchestre Philharmonique de Radio France
Myung-Whun Chung
ⓟ 2008 Deutsche Grammophon GmbH, Hamburg
Recording: Paris, Radio France, Salle Olivier Messiaen, 4/2008(Petites
Liturgies) & 7/2008 (Couleurs, Hymne)
Executive Producer (Deutsche Grammophon): Matthias Spindler
Producer (Radio France): Elsa Biston (Petites Liturgies); Vincent
Villetard (Couleurs, Hymne)
Balance Engineer (Radio France): Gilles Pézerat (Petites Liturgies);
Yves Baudry (Couleurs, Hymne)
Recording Engineers (Radio France): Dimitri Scapolan, Elsa Biston
(Petites Liturgies)
Total Timing: 67’26
:: CD 29 :: 480 3653
IGOR STRAVINSKY (1882-1971) 이고르 스트라빈스키
LE SACRE DU PRINTEMPS (VERSION 1947) 봄의 제전
I - L’Adoration de la terre
1 Introduction [3’21]
2 Les Augures printaniers (Danses des adolescentes) [3’03]
3 Jeu du rapt [1’19]
4 Rondes printanières [3’52]
5 Jeux des cités rivales [1’50]
6 Cortège du Sage [0’39]
7 Adoration de la Terre - Le Sage [0’24]
8 Danse de la Terre [1’09]
II - Le Sacrifice
9 Introduction [3’52]
10 Cercles mystérieux des adolescentes [3’05]
11 Glorifi cation de l’Élue [1’32]
12 Evocation des ancêtres [0’39]
13 Action rituelle des ancêtres [3’32]
14 Danse sacrale (L’Élue) [4’27]
MODEST MOUSSORGSKY (1839-1881) 모데스트 무소륵스키
PICTURES AT AN EXHIBITION 전람회의 그림
15 Promenade [1’37]
16 I. Gnomus [2’37]
17 Promenade [0’59]
18 II. The old castle [4’21]
19 Promenade [0’32]
20 III. Tuileries gardens [1’11]
21 IV. Bydlo [2’48]
22 Promenade [0’50]
23 V. Ballet of the Unhatched Chicks [1’09]
24 VI. Samuel Goldenberg and Schmuyle [2’23]
25 VII. The Limoges Market [1’19]
26 VIII. Catacombae [2’05]
27 Con mortuis in lingua mortua [2’02]
28 IX. The hut on chicken’s legs [3’24]
29 X. The Great Gate of Kiev [5’19]
Orchestre Philharmonique de Radio France
Myung-Whun Chung
ⓟ 2010 Universal Music Classic & Jazz France
Recording: Paris, Maison de Radio France, Salle Olivier Messiaen,
3/2007 (1-14) & 12/2008 (15-29)
Recording producer: Paul Malinowski
Balance engineer: Joël Soupiron
Total Timing: 59’39
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